A historically astute and compelling must-read.
It Tracey’s historical novel, set in early-18th-century Massachusetts, a young Puritan widow named Silence Marsh is sentenced to a year of silence.
Silence was recently married to a good, loving man, Constable David Marsh, whose rank gave her the title of “Mistress,” rather than the more common “Goodwife,” and she has a kind and prosperous extended family. However, within a six-month span, her mother, her husband, and her infant daughter all die. At a Sabbath meeting, while listening to a typical Puritan fire-and-brimstone sermon, she loses her composure—screaming and cursing a seemingly capricious God who chose to punish her with such tragedy. For this sacrilege, she receives several punishments, with the final one being that she must not speak for a calendar year; to further atone, she voluntarily refuses even to write messages. From here on, the story focuses on Silence’s personal struggle with her conscience; however, she does still have friends, including a talented Boston apothecary, Mrs. Greenleaf, who looks after Silence’s failing health. So does the apothecary’s son, Daniel Greenleaf, who recently graduated from Harvard with a medical degree and does wonders for “Mistress Tacit,” as he teasingly calls Silence. Young Zuriel Hobart, who’s badly abused by her stepmother and desperate for a friend, becomes Silence’s protégé in the household arts. It all comes to a head when Zuriel accuses her truly wicked stepmother of witchcraft—a situation that drags Silence in and tests her mettle. Readers will be likely be shaken and enraged by the final scenes. Tracey, the author of The Bereaved (2023), is a remarkable writer, and this book is another triumph. The character of Silence is a wonderful creation who endures a life suffering, doubt, and blazing anger, and readers will be invested in her fate. The archaic language and fine detail relate what it was like to live in a typical household of the time, all the household practices of everyday life, and how, for example, to prepare for long winters: “Withal, the apples have been cut and dried, the apple-butter crocked, the cider pressed. Crane-berries and wild grape are gathered and dried.”
A historically astute and compelling must-read.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: June 12, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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