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THE ART OF FALLING

Strikingly imagistic and contemplative poetry that will live on in memory.

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This volume of poetry explores themes of parenthood, the natural world, and the pleasures and pains of existence.

Wendell’s spellbinding collection opens with a poem entitled “Portrait Chinois,” in which the author observes a picture of the artist Frida Kahlo: “I study the woman staring back, / wondering why she kept / dark caterpillars inching / over darker eyes.” The piece ponders representations of the female body—with the poet revealing that she cut her hair after injuring herself falling from a horse—and proceeds to celebrate survival. Horse riding is a common theme in this book. The following poem, “Ride,” considers the freedom and naïveté of riding in childhood, with “no inkling of danger.” Similarly, the title poem is about the necessity to relax when falling off a horse and how this applies to life’s other distressing events. Poems such as “Blizzard of Nothing” and “Storm Chaser” bear witness to the awesome power of nature, whereas “Southpaw” and “Kites” are tender examinations of parenthood. The thoughtful collection ends with “Viva la Vida,” a tribute to endurance and a further nod to Kahlo’s art. Readers new to Wendell’s poetry will be struck by her use of distinctive imagery. In “Blizzard of Nothing,” settling snow is “a crazed Einstein, / erasing what came before / to start the lesson over— / a blizzard of wisdoms / traveling at the speed of relative / incomprehensibility.” The author has a refreshingly imaginative gaze. Simple acts, such as kite flying, become effortlessly analogous to the art of parenting: “My daughter, for instance. / The closer, / the easier to manipulate. / The farther out, / more risk and thrill.” Wendell’s poetry resonates with mature, often tough wisdom: “Come off a horse enough times, / and you learn how to fall.” But among life’s agonizing lessons her pieces also locate simple ecstasies, such as stargazing: “I want to sleep to drink / from that dark rift / between stars, / I want to empty / the ladle of light.” Wendell is a dazzlingly inventive and perceptive poet, and it proves a joy to see the world through her eyes.

Strikingly imagistic and contemplative poetry that will live on in memory.

Pub Date: Feb. 7, 2022

ISBN: 978-1-952593-23-9

Page Count: 86

Publisher: FutureCycle Press

Review Posted Online: March 21, 2022

Kirkus Reviews Issue: May 15, 2022

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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