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PAST IMPERFECT

Lopsided, rambling and fitfully witty.

Dying tycoon entreats sworn enemy to find his heir in a sophisticated meditation on the British upper crust by Fellowes (Snobs, 2005).

Constructed as a minor mystery but sprawling over the course of several decades, the novel launches with a visit by the unnamed narrator to his longtime nemesis, who is dying of pancreatic cancer. Billionaire mogul Damien Baxter shares an anonymous letter written in 1990 that reads in part, “It is also late and I am drunk and so I have found the nerve to say that you have made my life a living lie for nineteen years. I stare at my living lie each day and all because of you.” The letter implies that Baxter, long sterile from adult mumps, has an offspring to whom he could leave his fortune. The newly minted detective agrees to be Baxter’s inside man and access the lofty social circles necessary to track down five potential mothers: the poised daughter of an earl, a Moravian princess and a brassy American adventuress from Cincinnati, among others. Taking stock of the various candidates, the narrator pieces together Baxter’s story and discerns more about his place in a society to which he barely belongs. The whodunit element is solid enough, the dialogue characteristically erudite and the pastoral milieu likely to appeal to anglophiles and Englishmen of a certain age. But Fellowes bogs down his narrative in a quagmire of minutiae about the décor of English country houses, the social graces of a long-gone age and other period niceties that become increasingly dull as they pile up. The appeal of this overly detailed social history is likely to be lost on the average reader.

Lopsided, rambling and fitfully witty.

Pub Date: Sept. 1, 2009

ISBN: 978-0-312-57068-2

Page Count: 416

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2009

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BELOVED

Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...

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Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.

Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.

Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."

Pub Date: Sept. 16, 1987

ISBN: 9781400033416

Page Count: 352

Publisher: Knopf

Review Posted Online: Sept. 29, 2011

Kirkus Reviews Issue: Aug. 15, 1987

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

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Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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