by Julie Andrews Edwards & Emma Walton Hamilton & illustrated by Tony Walton ‧ RELEASE DATE: Feb. 1, 2006
This mother-and-daughter team has created an amusing spoof of the New York theater world through the device of a parallel theatrical community of mice existing in the basement under a famous old Broadway venue. The mouse troupe is rehearsing a New Year’s Eve performance called Broadway Airs: A Tribute to the Great American Mousical, with songs and dances from favorite shows. The novel’s large cast of mouse characters includes both actors and backstage pros, most with names from well-known musicals, but with over 30 characters, it’s hard to keep all the players straight. When the star of the musical revue, Adelaide, is caught in a trap and transported to Brooklyn, the cast has to revamp the show, as Adelaide finds her way back to Broadway in a snowstorm with the help of a kindly mouse professor named Henry. The omniscient narrative style, sophisticated vocabulary and convoluted theatrical situations will be of interest mainly to good readers who are also budding thespians. A glossary of theatrical terms is included. (Illustrations not seen) (Fiction. 8-11)
Pub Date: Feb. 1, 2006
ISBN: 0-06-057918-8
Page Count: 160
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2006
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                            by Dav Pilkey ‧ RELEASE DATE: Sept. 1, 2001
Pilkey is still having entirely too much fun with this popular series, which continues to careen along with nary a whiff of...
Trying to salvage failing grades, George and Harold use their handy 3-D Hypno Ring on termagant teacher Ms. Ribble—and succeed only in creating a supervillain with a medusa-like ’do and a yen to conquer the world with wedgie power.
Using a pair of robot sidekicks and plenty of spray starch, she even overcomes Captain Underpants. Is it curtains (or rather, wedgies) for all of us? Can the redoubtable fourth graders rescue the Waistband Warrior (a.k.a. Principal Krupp) and find a way to save the day? Well, duh. Not, of course, without an epic battle waged in low-budget Flip-O-Rama, plus no fewer than three homemade comics, including an “Origin of Captain Underpants” in which we learn that his home planet of Underpantyworld was destroyed by the . . . wait for it . . . “Starch Ship Enterprize.” As in the previous four episodes, neither the pace nor the funky humor (“Diapers and toilets and poop . . . oh my!”) lets up for a moment. Pilkey is still having entirely too much fun with this popular series, which continues to careen along with nary a whiff of staleness. (Fiction. 8-10)Pub Date: Sept. 1, 2001
ISBN: 0-439-04999-7
Page Count: 176
Publisher: Blue Sky/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
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by Dav Pilkey ; illustrated by Dav Pilkey
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                            by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Rebecca Bond ; illustrated by Salley Mavor
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