by Julie Burstein with Public Radio's Studio 360 ‧ RELEASE DATE: Feb. 15, 2011
Of some interest to budding artists, filmmakers and the like, but not particularly useful at that.
What brings on an idea? How does an artist make art, a designer a sketch, a writer a sentence? You won’t find out in these brief profiles from Studio 360, though the book is not entirely without merit.
Host Burstein’s book bears an unfortunate subtitle that promises what it does not deliver, for which see, most recently, Steven Johnson’s excellent Where Good Ideas Come From (2010). Instead, the book gathers what might be thought of as show notes, bits and pieces of what can sometimes seem a free-form exercise—for, as Burstein allows, the show ranges from talking with “Nora Ephron about cooking, and with Susan Sontag about war; with Rosanne Cash about creative children of famous parents and with Simon Schama about the way maps help us understand the world.” The roster of talent is huge, and some of the pieces are appropriately memorable, as when the artist Chuck Close, now confined to a wheelchair, recounts his adventures experimenting with the perspectival grid in order to upend the brain’s expectations, and when sound designer Ben Burtt discusses doing much the same with “tones and beeps and whistles and static,” the stuff that populates the soundscapes of Star Wars and WALL-E. Alexander Payne, the director of such offbeat fare as About Schmidt and Election, discusses the freedom brought about by shooting a Hollywood movie on familiar turf—in his case, Omaha. Photographer David Plowden recalls an early encounter with the Great Plains, where, he discovered, “[t]here was nothing to hold on to.” Unfortunately, too many of the pieces are merely anecdotal snippets a couple of pages long, without development, connection. or follow-up. We learn nothing from actor Kevin Bacon’s revelation that as a child he was encouraged to make model houses out of Elmer’s glue and matchsticks, or from the aforementioned Ms. Cash’s recollections of her father’s (Johnny, that is) encouragement, for the elaboration of which see the liner notes to her recent album The List or her outstanding memoir Composed (2010).
Of some interest to budding artists, filmmakers and the like, but not particularly useful at that.Pub Date: Feb. 15, 2011
ISBN: 978-0-06-173231-7
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 2, 2010
Kirkus Reviews Issue: Dec. 1, 2010
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by Robert Greene ‧ RELEASE DATE: Nov. 13, 2012
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should...
Greene (The 33 Strategies of War, 2007, etc.) believes that genius can be learned if we pay attention and reject social conformity.
The author suggests that our emergence as a species with stereoscopic, frontal vision and sophisticated hand-eye coordination gave us an advantage over earlier humans and primates because it allowed us to contemplate a situation and ponder alternatives for action. This, along with the advantages conferred by mirror neurons, which allow us to intuit what others may be thinking, contributed to our ability to learn, pass on inventions to future generations and improve our problem-solving ability. Throughout most of human history, we were hunter-gatherers, and our brains are engineered accordingly. The author has a jaundiced view of our modern technological society, which, he writes, encourages quick, rash judgments. We fail to spend the time needed to develop thorough mastery of a subject. Greene writes that every human is “born unique,” with specific potential that we can develop if we listen to our inner voice. He offers many interesting but tendentious examples to illustrate his theory, including Einstein, Darwin, Mozart and Temple Grandin. In the case of Darwin, Greene ignores the formative intellectual influences that shaped his thought, including the discovery of geological evolution with which he was familiar before his famous voyage. The author uses Grandin's struggle to overcome autistic social handicaps as a model for the necessity for everyone to create a deceptive social mask.
Readers unfamiliar with the anecdotal material Greene presents may find interesting avenues to pursue, but they should beware of the author's quirky, sometimes misleading brush-stroke characterizations.Pub Date: Nov. 13, 2012
ISBN: 978-0-670-02496-4
Page Count: 320
Publisher: Viking
Review Posted Online: Sept. 12, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Daniel Kahneman ‧ RELEASE DATE: Nov. 1, 2011
Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our...
A psychologist and Nobel Prize winner summarizes and synthesizes the recent decades of research on intuition and systematic thinking.
The author of several scholarly texts, Kahneman (Emeritus Psychology and Public Affairs/Princeton Univ.) now offers general readers not just the findings of psychological research but also a better understanding of how research questions arise and how scholars systematically frame and answer them. He begins with the distinction between System 1 and System 2 mental operations, the former referring to quick, automatic thought, the latter to more effortful, overt thinking. We rely heavily, writes, on System 1, resorting to the higher-energy System 2 only when we need or want to. Kahneman continually refers to System 2 as “lazy”: We don’t want to think rigorously about something. The author then explores the nuances of our two-system minds, showing how they perform in various situations. Psychological experiments have repeatedly revealed that our intuitions are generally wrong, that our assessments are based on biases and that our System 1 hates doubt and despises ambiguity. Kahneman largely avoids jargon; when he does use some (“heuristics,” for example), he argues that such terms really ought to join our everyday vocabulary. He reviews many fundamental concepts in psychology and statistics (regression to the mean, the narrative fallacy, the optimistic bias), showing how they relate to his overall concerns about how we think and why we make the decisions that we do. Some of the later chapters (dealing with risk-taking and statistics and probabilities) are denser than others (some readers may resent such demands on System 2!), but the passages that deal with the economic and political implications of the research are gripping.
Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our minds.Pub Date: Nov. 1, 2011
ISBN: 978-0-374-27563-1
Page Count: 512
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 3, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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