Filled with bumbling characters who achingly love each other, this coming-of-age tale rises above a crowded field to take...
Rachel, after donning an inappropriately bright lipstick called “Little Red Lies,” welcomes her beloved elder brother, James, back from World War II.
Unfortunately, lies aren’t confined to the lipstick. James, deeply altered by the war, glosses over his disturbing experiences to his family, although letters he continues to write to Rachel—but has never sent—contain the truth of the brutality. Tragically, once safely home, he develops leukemia, a lethal illness in 1947. Rachel lies to him to convince him to visit a faith healer, whom she then recognizes as a fraud. Then she lies to her parents (and herself) about the intentions of a handsome but predatory teacher who’s playing up to her as well as other girls. After her mom conceives an unplanned baby, it’s concealed from both Rachel and James. When they discover, embarrassingly late, the cause of her weight gain, James feels convinced the baby is intended as a replacement for him. The seeming surfeit of subplots is believably explained and sensitively written, succeeding largely due to Rachel’s spunky though almost pathetically naïve first-person voice, which rings fully true. At one point, the whole town believes James has the clap, largely because Rachel overheard then repeated a conversation she didn’t understand.
Filled with bumbling characters who achingly love each other, this coming-of-age tale rises above a crowded field to take readers on a moving journey of discovery. (Historical fiction. 12 & up)Pub Date: Sept. 10, 2013
ISBN: 978-1-77049-313-1
Page Count: 272
Publisher: Tundra Books
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
BOOK REVIEW
A painful story smartly told, Benjamin’s first solo novel has appeal well beyond a middle school audience.
In middle school, where “Worst Thing” can mean anything from a pimple to public humiliation, Suzy “Zu” Swanson really has a reason to be in crisis: her former best friend has died unexpectedly, and the seventh-grader is literally silenced by grief and confusion.
A chance encounter with a jellyfish display on a school trip gives her focus—for Zu, the venomous Irukandji jellyfish, while rare, provides a possible explanation for the “how” of Franny’s death. And Zu is desperate for answers and relief from her haunting grief and guilt. In seven parts neatly organized around the scientific method as presented by Mrs. Turton, a middle school teacher who really gets the fragility of her students, Zu examines and analyzes past and present. A painful story of friendship made and lost emerges: the inseparable early years, Franny’s pulling away, Zu’s increasing social isolation, and a final attempt by Zu to honor a childhood pact. The author gently paints Zu as a bit of an oddball; not knowing what hair product to use leaves her feeling “like a separate species altogether,” and knowing too many species of jellyfish earns her the nickname Medusa. Surrounded by the cruelty of adolescence, Zu is awkward, smart, methodical, and driven by sadness. She eventually follows her research far beyond the middle school norm, because “ ‘Sometimes things just happen’ is not an explanation. It is not remotely scientific.”
A painful story smartly told, Benjamin’s first solo novel has appeal well beyond a middle school audience. (Fiction. 12 & up)Pub Date: Sept. 22, 2015
ISBN: 978-0-316-38086-7
Page Count: 352
Publisher: Little, Brown
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
A must-read graphic novel that is both heart-rending and beautifully hopeful.
A grandmother shares her story of survival as a Jew in France during World War II.
As part of a homework assignment, Julian (Auggie’s chief tormentor in Wonder, 2012) video chats with Grandmère, who finally relates her wartime story. Born Sara Blum to a comfortable French Jewish family, she is indulged by her parents, who remain in Vichy France after 1940. Then, in 1943, after the German occupation, soldiers come to Sara’s school to arrest her and the other Jewish students. Sara hides and is soon spirited away by “Tourteau,” a student that she and the others had teased because of his crablike, crutch-assisted walk after being stricken by polio. Nonetheless, Tourteau, whose real name is Julien, and his parents shelter Sara in their barn loft for the duration of the war, often at great peril but always with care and love. Palacio begins each part of her story with quotations: from Muriel Rukeyser’s poetry, Anne Frank, and George Santayana. Her digital drawings, inked by Czap, highlight facial close-ups that brilliantly depict emotions. The narrative thread, inspired by Palacio’s mother-in-law, is spellbinding. In the final pages, the titular bird, seen in previous illustrations, soars skyward and connects readers to today’s immigration tragedies. Extensive backmatter, including an afterword by Ruth Franklin, provides superb resources. Although the book is being marketed as middle-grade, the complexities of the Holocaust in Vichy France, the growing relationship between Sara and Julien, Julien’s fate, and the mutual mistrust among neighbors will be most readily appreciated by Wonder’s older graduates.
A must-read graphic novel that is both heart-rending and beautifully hopeful. (author’s note, glossary, suggested reading list, organizations and resources, bibliography, photographs) (Graphic historical fiction. 12-16)Pub Date: Oct. 1, 2019
ISBN: 978-0-525-64553-5
Page Count: 224
Publisher: Knopf
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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