Duplessis’ string of lovers was sufficiently fascinating to become the basis of books, plays and Verdi’s opera. As a...
Intelligent Life contributing editor Kavanagh (Nureyev: The Life, 2007, etc.) attempts to sort out the biography of the short-lived Parisian courtesan Marie Duplessis (1824–1847).
We know her as Violetta in La Traviata, but she was Marguerite in Alexander Dumas’ The Lady of the Camellias and Alphonsine when she was born in 1824 Normandy. In the ways of the 19th-century French, when a girl became a courtesan, she was to have an apartment, jewels, equipage, a very generous allowance and often tutoring in the finer ways of society. For Duplessis, however, “this was far more than Pygmalion or Pretty Woman transformation,” writes Kavanagh. “The country waif, scarcely able to read or write when she arrived in the capital at the age of thirteen, was presiding over her own salon seven years later, regularly receiving aristocrats, politicians, artists, and many of the celebrated writers of her day.” Lacking Duplessis’ correspondence, the author depends on the accounts of contemporary authors and one of her subject’s childhood friends, as well as the book and play by Dumas. Determining her age in the period when her father apprenticed her to a laundry, gave her to the gypsies, “sold” her to a debauching septuagenarian and “lost” her in Paris proves daunting. Too often, the author refers to Duplessis as Marguerite or Alphonsine and to her lovers by their pseudonyms; the time and places change without warning. Duplessis was quick to adapt to the culture of love in Paris with frequent changes of lovers—so many, in fact, that it’s difficult to keep track. The fact that many of her men overlapped adds to the confusion, as do the many references to men identified only by initials or pseudonyms.
Duplessis’ string of lovers was sufficiently fascinating to become the basis of books, plays and Verdi’s opera. As a chronicle of French life, Kavanagh’s book is great fun; as biography, it’s scattered.Pub Date: June 14, 2013
ISBN: 978-0-307-27079-5
Page Count: 304
Publisher: Knopf
Review Posted Online: April 15, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
BOOK REVIEW
A superb memoir by any standard, but one of the best to have been written by a rock star.
The Boss speaks—and he does so as both journeyman rocker and philosopher king.
Wrapping up his long backward look at a storied life and the anthemic songs that punctuate it, Springsteen examines his motivations. “I wanted to understand,” he writes of the past, “in order to free myself of its most damaging influences, its malevolent forces, to celebrate and honor its beauty, its power, and to be able to tell it well to my friends, my family and to you.” Readers who stick with the story—and there are a few longueurs—will be richly rewarded. Springsteen has lived well, even if he expresses a couple of regrets and, in a newsmaking episode, confesses to having suffered a long bout of depression at the age of 60. “The blues don’t jump right on you,” he writes, but jump they do. Nothing a pill can’t take care of, mind you, and when Springsteen rebounds, he does so with a joyous vengeance. Ardent students of his music might wish for a touch more depth in his account of his processes as songwriter and performer, but there’s plenty of that. In one of the scattered formulas that he tosses out, he allows that the math of rock ’n’ roll is an equation, thanks to the transport and bond between band and fan, through which “when the world is at its best, when we are at our best, when life feels fullest, one and one equals three.” That math may not bear close inspection, but Springsteen is foremost a fan, and nowhere more so than when he had a chance to play with rock gods Mick Jagger and Keith Richards, a fine and rousing moment in a book full of them. Springsteen is gentle with those who treated him poorly—and one imagines those “rah-rahs” of the Jersey Shore writhing in shame each day at the memory—but generous with love for friends and listeners alike.
A superb memoir by any standard, but one of the best to have been written by a rock star.Pub Date: Sept. 27, 2016
ISBN: 978-1-5011-4151-5
Page Count: 528
Publisher: Simon & Schuster
Review Posted Online: Sept. 26, 2016
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
The Hemingway name will carry this beyond what the usual casual interest in reminiscences of hunting in Africa would ordinarily achieve. It contains some of the best writing Ernest Hemingway has done — and is a delightful human document, natural, humorous, graphic in the swift characterizations and the original sidelights on his companions. Game hunting in Africa — with a double urge, to get, first and last, a Kudu — and to beat Karl. Sell both as travel and sport — as well as good Heminway. Appearing in Scribners Magazine.
Pub Date: Oct. 1, 1935
ISBN: 0684801299
Page Count: 308
Publisher: Scribner
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Oct. 1, 1935
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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