by Julie Leung ‧ RELEASE DATE: Oct. 4, 2016
A winning new adventure featuring a stalwart warrior mouse, heroic knights, and magical Camelot
A “brave, strong, and wise” mouse plays a pivotal part defending Camelot and its inhabitants.
Calib Christopher imagines nothing more “glorious than becoming a knight himself and following in his grandfather’s and father’s pawsteps.” When an unknown assassin murders Calib’s grandfather, Camelot mice suspect animals from Darkling Woods. After discovering the Sword in the Stone, which appears at “Camelot’s darkest hour,” and encountering a magical white wolf, Calib realizes his grandfather’s assassination was part of a greater plot threatening Camelot. Somehow he must prevent the mouse army from mistakenly attacking Darklings and uncover the truth. Calib’s story alternates with that of 11-year-old Galahad, Sir Lancelot’s son, who arrives at Camelot while his father and King Arthur are away. As the “last defenders of Camelot,” Calib unites Darklings and Camelot mice against invading weasels while Galahad rallies those in the castle to fight invading Saxons. Leung creates a fascinating parallel world of mice living alongside Camelot’s famous human inhabitants and neatly laces the action-driven plot with colorful animal and legendary Arthurian characters. Spot art adds to the Round Table feel.
A winning new adventure featuring a stalwart warrior mouse, heroic knights, and magical Camelot . (Animal Fantasy. 8-12)Pub Date: Oct. 4, 2016
ISBN: 978-0-06-240399-5
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
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by Dav Pilkey & illustrated by Dav Pilkey ‧ RELEASE DATE: Aug. 28, 2012
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.
Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.
Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)Pub Date: Aug. 28, 2012
ISBN: 978-0-545-17534-0
Page Count: 304
Publisher: Scholastic
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
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by E.B. White illustrated by Garth Williams ‧ RELEASE DATE: Oct. 17, 1945
The story would have a real chance on its own merits without these really appallingly bad episodes. (Fantasy. 8-12)
Of course this will sell—as an E.B. White item and one that the publishers are pushing hard, playing it for an adult as well as a juvenile sale.
And that is where I think it really belongs, along with Robert Lawson's books, which reach children chiefly through adults. Thurber was another, but more justifiable on the score of a nice quality of whimsy, which Stuart Little—for me at least—lacks. This seems to me pseudo-fantasy, synthetic, and lacking the tenderness that makes a story such as Wind In The Willows wholly the children's own. Undertones and overtones of this story of a mouse in a human family are unjuvenile on all counts. The central story follows the make-believe as Stuart, complete with hat, cane, pin-striped trousers, and a stout heart, embarks on his small odyssey—a hairbreadth escape in a window shade (victim of a jealous cat), high seas exploits in Central Park, near tragedy in a garbage scow. Then comes the complete flop of the schoolroom episode and the romance.
The story would have a real chance on its own merits without these really appallingly bad episodes. (Fantasy. 8-12)Pub Date: Oct. 17, 1945
ISBN: 978-0-06-026396-6
Page Count: 144
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1945
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