A vivid mix of history, romance, and folklore with a notably relatable hero.
A teenager leaves 1940s Pennsylvania to seek her destiny in medieval Russia in the second book in Mathison’s Old Rus fantasy series, following Vasilisa (2021).
It’s 1942, and 15-year-old Elena Ivanova Volkonsky loves James Cagney movies, flying with her pilot father, and listening to great-grandmother Babka’s Russian ballads about witches, spirits, ogres, and giants. Her favorite: the saga of “Dobrynya and the Dragon.” A strange black stone gives her visions of the dragon slayer, and her focus shifts to Mitya, Dobrynya’s teenage son, as events unfold involving his father and the court’s ruler, Prince Vladimir. Elena’s odd feeling of kinship with Mitya, her discovery of her mother’s companion black stone, and hints of enigmatic secrets allow her to find her way into the Russia of Babka’s tales. Mathison weaves themes of love, betrayal, and self-discovery into a believable world of magic, myth, and history. In it, three remarkable young people—Elena, 16-year-old noble Mitya, and their young companion, Sasha, a 12-year-old boy saddened by his own secrets—embark on a quest through forest, desert, and mountains to find Dobrynya, whom scheming Prince Vladimir has ordered to slay one last dragon. (A mysterious traveler lists the trio’s unseen burdens, integral to what is to come: Mitya carries his “father’s sins,” Sasha bears “the burden of knowledge without wisdom,” and Elena’s “line bears the burden of the stones.”) Mathison’s tale hauntingly interweaves the dragons, 1940s America, and the dropping of the atomic bomb on Hiroshima in a way that might have felt forced in less-skilled hands. Elena is a spirited hero who’s quick to castigate herself for impetuosity but just as apt to put her knowledge, generosity, and intuition into action. As she affects those around her, she absorbs lessons about love and loss. Readers will root for Elena to stay with Mitya and not return home, and the author masterfully finesses that decision. Also included is a glossary of historic and mythical Russian names and words.
A vivid mix of history, romance, and folklore with a notably relatable hero.Pub Date: March 1, 2022
ISBN: 9781735003788
Page Count: 344
Publisher: Starr Creek Press
Review Posted Online: Dec. 10, 2022
Kirkus Reviews Issue: Feb. 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Surprisingly hopeful at the last, but despite careful worldbuilding and tense plotting, the book barely escapes being a slog.
In the conclusion to a trilogy that began with The Justice of Kings (2022) and The Tyranny of Faith (2023), Justice Sir Konrad Vonvalt and his clerk, Helena Sedanka, prepare for a final confrontation with the zealot Bartholomew Claver.
Declared traitors to the Sovan Empire, Sir Konrad and Helena (our narrator) are both on the run and in search of an army to destroy Claver, who is bent on Imperial rule; the demonic entity who grants him dark magicks has more ambitious designs on the entire mortal plane. Somehow, Helena is the key to halting these wider plans, which marks her out for special attention from demonic and angelic beings. Meanwhile, Sir Konrad, whom Helena had previously revered (and loved) as a paragon of the law, does more and more legally and ethically dubious things to save his Empire from Claver, Claver’s fanatic followers, and his demonic allies/puppeteers, including deposing the Emperor and taking up forbidden magicks. How many principles will these two have to compromise to defeat this overwhelming evil? It's interesting to see how this trilogy, while consistently maintaining a grimdark tone, has slowly shifted subgenres over the three volumes. The first book was primarily a fantasy mystery, the second a political fantasy, and the third more of an epic fantasy featuring an ultimate battle between the forces of good and evil. Overall, the series is an intriguing chronicle of one woman’s struggle to develop agency, despite the overpowering influence of her mentor’s strong personality, vast political and religious currents, and, ultimately, gods and demons from other planes of existence. We know that Helena survives these (mis)adventures, since she narrates the entire saga as an old woman looking back; the unrelenting onslaught of terrible things that happen to her before the thankfully cathartic climax may either grind the reader down or cause the reader to disengage from her plight(s), aware that despite her many, many brushes with death and multiple turning points where she believes she chose poorly, she will ultimately prevail.
Surprisingly hopeful at the last, but despite careful worldbuilding and tense plotting, the book barely escapes being a slog.Pub Date: Feb. 6, 2024
ISBN: 9780316361989
Page Count: 496
Publisher: Orbit
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
A somewhat uneven novel that will nevertheless charm readers of cozy fantasies.
A Cambridge professor specializing in the study of faeries gets more than she bargained for when she goes meddling in the Folk's business.
Emily Wilde arrives in the Scandinavian country of Ljosland with a singular goal: to become the first scholar to confirm and formally document the existence of Ljosland's legendary faeries. As a dryadologist—a sort of anthropologist specializing in the fae—Emily has spent a lifetime studying these nigh unknowable creatures. She receives a cold welcome in the village of Hrafnsvik, however, and a troublesomely handsome and infuriating colleague named Wendell Bambleby soon shows up to offer help, leaving her with no choice but to accept it. Emily and Wendell's relationships with the locals grow even more strained when they begin investigating the courtly fae—that is, the "tall ones": humanlike fae who bewitch humans and replace their children with changelings—and she accidentally blows Wendell's cover as a fae prince exiled from his court. The tall ones have plagued Hrafnsvik for years, returning their children as empty husks when they deign to return them at all. The kidnapping of a local woodcutter and her girlfriend spurs Emily to action for not altogether altruistic reasons. After all, what better way is there to report on Ljosland's courtly fae than by going to their lands herself? Rescuing the women buys Emily and Wendell some grace with the locals but creates a domino effect that eventually turns Emily into the unwitting heroine of a fairy tale very much like those she records. Emily's first-person account of her story tends toward purple prose, which may turn off some readers. Once Wendell enters the story, however, the fae prince's charm radiates both on and off the page, and his conversations with Emily give the novel some much-needed jaunt.
A somewhat uneven novel that will nevertheless charm readers of cozy fantasies.Pub Date: Jan. 10, 2023
ISBN: 9780593500132
Page Count: 336
Publisher: Del Rey
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
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