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LITTLE NOTHINGS

Driven by an honest, authentic main character who is imperfect and damaged.

A friendship is exposed as toxic during a luxury trip that ends in violence.

Growing up, Liv had few friends, a fact that upset her mother, whose advice to her daughter was to “eat the fucking cake” and stop being so sensitive. So when she meets fellow mothers Binnie and Beth, she’s thrilled to finally be inducted into the seemingly mythic world of female friendship. Through play dates and book clubs, dinners and the occasional trip, the three are supportive of each other’s highs and lows as only true friends can be. When Beth introduces Ange to the group, she immediately finds a core role as listener and organizer. When Ange wants to plan a trip for all four of them and their families to Corfu, everything seems perfect. They can lounge and drink, get dressed up for dinner and comment cattily on the other guests. An accidental revelation about another trip that didn’t include Liv leads her to realize that Ange, who once seemed like the glue of the foursome, has actually wormed her way into their group in service of her own narcissistic personality. Estranged from the other women, Liv strikes up a friendship with a wealthy socialite who has a wicked sense of humor—and the willingness to help Liv rid herself of Ange once and for all. Mayhew explores both the affirming side of female friendships and the darker currents of judgmental talk, financial peer pressure, and neediness. The most interesting part of the book is Liv, who’s the narrator, for she is often not a terribly sympathetic character. Yet there is something admirable in how she fights to recognize and celebrate her true, autonomous self, even if that person is inherently selfish and grudging.

Driven by an honest, authentic main character who is imperfect and damaged.

Pub Date: June 28, 2022

ISBN: 978-1-52660-634-1

Page Count: 272

Publisher: Bloomsbury

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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