by Julius Lester ‧ RELEASE DATE: May 1, 2001
A brother and sister try in their separate ways to cope with the ultimate family cataclysm. This decidedly unfun novel is a real departure for Lester (The Blues Singers, see above, etc.), who has recently been primarily concerned with lighter themes. Jeremy, 12, and Jenna, 14, alternate first-person accounts of the aftermath of their artist mother’s murder at the hands of their psychologist father, each sorting out his or her relationships with mother, father, and each other. Jeremy, it turns out, was a real mama’s boy, whereas the sexually precocious Jenna has always felt much closer to their father, and their confusion and sorrow further separate—but ultimately unite—the siblings. A number of saintly adults help the children work through their grief and anger, most notably the eternally patient Karen, their father’s ex-wife and mother’s best friend, who is perfectly positioned to present critical revelations that help both children and reader understand what has happened. Jenna’s narrative is frequently foul-mouthed but bravely honest as she struggles with a genuine love for her father and with guilt over her adolescent battles with her mother. Jeremy’s is pleasingly naïve and straightforward, but is weakened by his convenient discovery of his mother’s diary, which describes the dissolution of her marriage in barely credible detail. The last third of the book is a courtroom drama in which all is made clear and the father is once and for all exposed for the stinker he’s always been. Almost ridiculously contrived, it’s nevertheless a compelling story suffused with raw and honest emotion, the heightened nature of which will naturally appeal to teens. (Fiction. 12+)
Pub Date: May 1, 2001
ISBN: 0-15-216305-0
Page Count: 176
Publisher: Silver Whistle/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
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by Julius Lester ; illustrated by Carl Angel
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by Julius Lester and illustrated by Geraldo Valério
BOOK REVIEW
by Laura Nowlin ‧ RELEASE DATE: April 1, 2013
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
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New York Times Bestseller
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
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by Laura Nowlin
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SEEN & HEARD
by Chloe Walsh ‧ RELEASE DATE: Nov. 28, 2023
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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