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THE HOSPITAL AT THE END OF THE WORLD

An enjoyable tale about AI’s dark underbelly.

Dystopian speculation about medicine years after AI’s great tech boom.

In New York City, young Pok Morning is an excellent candidate for admission to any of the nation’s top medical schools, all run by the Shepherd Organization, all AI-centered, and known as “The Prestigious Twelve.” A drone delivers the message: admission denied. Initially, he blames his father for undermining his application. But Dr. Phelando Morning, who takes the “grossly inefficient” humanistic approach to medicine, is innocent and explains that there is a better way to become a doctor. When Phelando dies unexpectedly in a hospital, his Memorandium—a temporary, AI-generated version of himself—advises Pok to attend Hippocrates Medical Center in New Orleans, the only med school in the country that refuses to use AI and may soon be the last human-run hospital. Pok believes “no residency in its right mind will accept me” if he goes there. But he gets an urgent warning to “get the fuck out of New York,” because the lie is out that he poisoned his father. He has a rough time leaving, as the states now have border controls, but he winds up riding the rails to Louisiana at the suggestion of Jillian, a woman he meets. Eventually they arrive in New Orleans, a city protected by electromagnetic spires. There, Pok is welcome. The story’s pace slows while he absorbs himself in his intense studies, but the writing shows the author’s rich imagination. With bee populations drastically declining, for example, a company has bioengineered “Carve Bees” that produce medicinal honey. And there is Agrypnia, or the Grips, a sleeping sickness that makes people crazy. Odysseus Shepherd is a worthy half-human villain whose brain is filled with microchips. He wants to bring New Orleans into sync with the rest of the country, because “human-led medicine is like having monkeys fly a plane.” Readers might blink at jargon like “enantiomer,” which is a mirror-image molecule and may also describe the hero and the villain.

An enjoyable tale about AI’s dark underbelly.

Pub Date: Feb. 3, 2026

ISBN: 9780063290488

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WHAT WE CAN KNOW

A philosophically charged tour de force by one of the best living novelists in English.

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A gravely post-apocalyptic tale that blends mystery with the academic novel.

McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.

A philosophically charged tour de force by one of the best living novelists in English.

Pub Date: Sept. 23, 2025

ISBN: 9780593804728

Page Count: 320

Publisher: Knopf

Review Posted Online: May 24, 2025

Kirkus Reviews Issue: July 1, 2025

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