An engrossing dystopian graphic novel with an unusual cast and a fresh setting.
After a young woman’s brother is kidnapped, she teams up with a ragtag band to save him in this comic collection set in a post-apocalyptic world.
It’s a century-and-a-half in the future, and teenage Kasa Fain and her 8-year-old brother, Adam, have been alone since their mother left them some time ago. However, Kasa promised to keep Adam safe, and she is determined to do so. However, while she’s out hunting for food one day, Adam is discovered by the Rumblers, and they kidnap him in the hope of selling him to the highest bidder. In a world where everyone has some sort of psychic ability, telekinetic Adam stands out as a super-powerful being known as a Shaper. This makes him incredibly valuable, and the Rumblers know that he’ll fetch a high price in Tradetown. Kasa teams up with Gargarin, who can track the kidnappers and her sibling. On the way, they pick up Toy, who has a vehicle, and the tough Ruth, who has an impressive healing ability. However, a being named Shattersword is also after the Rumblers to get to Adam, under the direction of Rask—one of the most powerful Shapers, who controls the empire. Kasa doesn’t care about any of that, though; she just wants her brother back, and she’s willing to do whatever it takes. However, will they ever be safe again, now that people know what he’s capable of? In this first collected volume of a new series, writer Jordan and artist Tyasseta transport readers to a world that’s 147 years “after the break”—much like our own, but with a wide range of superpowered people. The brightly colored milieu, with a diversity of body types and skin colors, feels realistic and offers a future that’s recognizable, even as strange creatures roam the world of the Breaklands. The banter between the heroes of the story gives it a found-family feel and make them easy to root for, as when Gargarin says that he has a plan, and Ruth asks if it’s a good one: “Let’s not get ahead of ourselves,” Gargarin quips.
An engrossing dystopian graphic novel with an unusual cast and a fresh setting.Pub Date: Sept. 2, 2025
ISBN: 9781545821251
Page Count: 128
Publisher: Mad Cave Studios
Review Posted Online: Aug. 1, 2025
Review Program: Kirkus Indie
Lush visuals bring this thoughtfully constructed tale to life.
Wondrous visitors encounter a desperate pocket of humanity.
Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.
Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)Pub Date: Nov. 12, 2024
ISBN: 9781534387072
Page Count: 104
Publisher: Image Comics
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
A plodding novel from a talented writer.
A professor and his daughter navigate a new America where all white people have died by suicide.
“They killed themselves,” explains Charlie Brunton, the narrator of Campbell’s high-concept novel. “One morning, every white person in America walked into the nearest body of water and drowned.” Charlie is a Black man who’s served time in prison, wrongfully convicted of rape; after the mass suicide of white people, he became a professor at Howard University, trying to make sense of a country with no real government or systems: “Only a fragile structure remained….” Charlie gets a phone call from his daughter, Sidney, born to the white woman he was accused of raping, asking him to drive her from her home in Wisconsin to Alabama, where she’s heard that some surviving white people are living. Sidney has internalized racism, opining that “the world got left to the heathens” and lamenting her physical similarities to her Black father. Charlie and Sidney enlist the help of a pilot to get them to the South, eventually ending up in Mobile, where they encounter a new society that neither of them expected and learn what was behind the mass suicide of white Americans. Campbell’s novel starts off fairly strong—it’s undoubtedly an interesting thought experiment—but goes off the rails quickly, sunk by the author’s often too-florid prose and unrealistic dialogue. Sidney’s transition from self-hating to enlightened is forced, and aside from the two protagonists, the characters are purely functional. This book reads less like a novel and more like an extended treatment for a television series.
A plodding novel from a talented writer.Pub Date: Sept. 10, 2024
ISBN: 9781668034927
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
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