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THE ART OF RESISTANCE

MY FOUR YEARS IN THE FRENCH UNDERGROUND: A MEMOIR

A welcome addition to the World War II memoir shelf.

A gripping memoir from an Eastern European Jew who fought in the French Resistance.

Born in 1921, Rosenberg, who has received a Purple Heart and a Bronze Star from the U.S. Army for his service in World War II, thrived within a loving Polish family into his teenage years. His residence in Danzig meant immersion in both Polish and German culture, and his parents believed that Danzig’s well-integrated Jewish population would escape the rise of Hitler and his Nazi supporters. When that optimism began to crumble, the 16-year-old Rosenberg departed Danzig to study in Paris. (Nobody knew then that most of his relatives would be slaughtered in the Holocaust. Rosenberg’s parents and sister survived, but the author would be separated from them until 1952.) The German invasion of France interrupted Rosenberg’s studies. On his own, with dwindling cash, he decided against trying to flee the Nazi juggernaut. Instead, he found a path to joining the underground resistance against the Nazis, centered in occupied France and comprised of fighters from a variety of backgrounds, including expatriate Americans. Rosenberg offered special value as a Resistance guerrilla for multiple reasons: Given his blond hair and other physical features, he did not “look Jewish.” His baby face meant that he could easily pass as a schoolboy. He spoke Polish, German, Yiddish, and English. He could subsist on meager resources during wartime hardships. He welcomed all assignments offered by Resistance commanders, and he was fearless. The narrative unfolds chronologically, in semi-diary format, and while readers will know, of course, that Rosenberg avoided death, the narrative tension is continuous, as the author recalls imprisonments, escapes from confinement, and successful missions against the Nazis. The author’s writing style is crystal-clear and understated, as he wisely allows the drama to unfold from the events themselves. As the war wound down, Rosenberg was unsure about his future. Eventually, he settled in the U.S. and has taught language and literature for 70 years.

A welcome addition to the World War II memoir shelf.

Pub Date: Jan. 28, 2020

ISBN: 978-0-06-274219-3

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 28, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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