A slow-burn mystery fueled by a few broken people and a heavy dose of caring ones.
A queer art thief stealthily steps into a love story.
Seventeen-year-old Icarus Gallagher, who has black hair and brown eyes, leads a double life. Mostly, he’s busy being a high school senior. But also, he’s an art thief, trained by his widowed father, Angus, a professional art restorer. Due to the nature of their side hustle, Icarus has to abide by his father’s strict rules: He’s not allowed to get close to people, go to parties, or invite anyone over. Icarus is so deprived of emotional attachments that even being touched accidentally is distressing. Since he’s allowed to have acquaintances, resentful Icarus, clever boy that he is, has created a workaround to his dad’s edict: He simply gets to know one person in every class he’s in. These siloed friends provide him with the bare minimum of human connection. Until one night, when Icarus does another routine break-in at the notoriously violent Stuart Black’s mansion and meets Black’s son, Helios, a beautiful, red-haired, ankle monitor–wearing dancer. What unfolds is a narrative filled with suspense, romance, and heartbreak with secrets unraveling at a breakneck speed once Helios and Icarus breach the rules their controlling fathers have imposed upon them. The sparse prose in this unconventional, must-read of a trauma-infused borderline thriller is packed with emotional breadth.
A slow-burn mystery fueled by a few broken people and a heavy dose of caring ones. (Thriller. 14-18)Pub Date: March 26, 2024
ISBN: 9780063285781
Page Count: 400
Publisher: HarperTeen
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
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