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BEN Y AND THE GHOST IN THE MACHINE

From the Kids Under the Stairs series , Vol. 2

Accomplished, lively, and heartfelt.

An emotionally charged, dynamic novel in verse.

Holt’s follow-up to 2020’s Benbee and the Teacher Griefer follows another character from the ensemble cast. This entry focusing on Ben Y, who prefers Ben to the full name Benita and is exploring gender identity, is accessible without exposure to the prior volume; although it picks up without much explanation of past relationships, the strong narrative style does all the heavy lifting. Reeling from the death of a sibling and the subsequent social fallout of “dead-brother-itis,” Ben Y retreats deeper into friendships, game worlds, and the escape provided by the Newspaper Typing Club led by the trusted Ms. J. Over the summer, in this safe space for divergent learners, close bonds formed between Ben Y, Ben B, Jordan, and Javier. At school, Ben Y wavers between feeling unseen and being picked on and takes bold steps to carve out personal space, including an interest in newcomer Ace. Ben Y also faces challenges as the bullish principal imposes limits on their school paper and becomes invested in punishing dress-code violations. This focused character study delivers layered attention to grief and self-exploration. Multiple formats, including chat messages in the Minecraft-like Sandbox, combined with extraordinary pacing make this a win for reluctant readers, while the humor and emotional reach will draw in anyone interested in middle-grade emotional realism. With minimal physical descriptions, names cue ethnic diversity.

Accomplished, lively, and heartfelt. (Verse novel. 8-13)

Pub Date: Sept. 28, 2021

ISBN: 978-1-4521-8321-3

Page Count: 432

Publisher: Chronicle Books

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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