A fascinating exploration of how power corrupts and drives a person toward self-betrayal.
In a grimly plausible political fantasy–turned–murder mystery, a young woman faces the bloody consequences of her choices.
Centuries ago, the pale-skinned Fjern conquered a group of Caribbean-like islands and enslaved its dark-skinned inhabitants. The islander Sigourney Rose was the sole survivor of the slaughter of her family by Fjern conspirators resentful that her mother, Mirjam, a freed slave married to a wealthy landowner, was invited to join the king’s inner circle of advisers. Resolved to revenge herself and to seize the regency, Sigourney poisons her cousin for his political position and uses her "kraft," magical psychic abilities, to manipulate the failing mind of an orchestrator of the conspiracy into making a match between her and the woman’s son so that she will be of sufficient consequence for the regent to choose her as his successor. But once Sigourney reaches the royal island of Hans Lollik Helle, where the king will make his choice, nothing is as it seems. Someone is murdering the other members of the kongelig, the Fjern ruling nobility, and the king may be nothing more than a ghost or illusion. Will Sigourney survive long enough to achieve her goals? Where other authors might make a woman in Sigourney’s position a freedom fighter, Callender’s adult debut depicts a self-involved woman bent on personal power, with no clear idea of what to do with it beyond gain revenge. For someone who can read minds, Sigourney doesn’t really understand people, or even herself, very well. She desperately wants the respect of the other Fjern even though she knows full well that their violent prejudice against her skin tone means she will never get it. She only ever expresses the most pinched and selfish forms of love yet wants the islanders to love her and understand that she’s acting for their own good even though she actually does nothing for them, issuing orders to her slaves while ignoring them as people, somewhat reluctantly abusing and executing them, and associating with their oppressors. She feels a certain amount of guilt for her actions but not enough to stop her from acting. And despite her resentment at never being treated like an intelligent equal, she continually underestimates her fellow islanders, to her cost. Despite their grotesqueness and near absurdity, her hypocrisy and blind spots are totally realistic.
A fascinating exploration of how power corrupts and drives a person toward self-betrayal.Pub Date: Nov. 12, 2019
ISBN: 978-0-316-45493-3
Page Count: 480
Publisher: Orbit
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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