A strong, enchanting adventure.
Young teens Colin and Anna travel to the Otherworld to thwart an attack on the Tree of Life.
In this sequel to Ravenfall (2022) that’s set during the eight nights of Hanukkah, Josephson dives into the arcana of Jewish mythology. Shortly after Anna’s father returns from an expedition with what he says is the Seal of Solomon, an old acquaintance of his named Salem, who is a Raven, or “guardian of the supernatural world responsible for helping to maintain its balance,” arrives at the inn as if by chance. According to Salem, the demon Ashmedai intends to absorb the magic from the Tree of Life, gathering all its power. The interweaving of (largely Western) folk and mystical traditions with encounters in the magical realm of Sheol is nicely realized. Magical practices—Colin’s use of his Ravenguard journal to hold weapons, and Anna’s ability to “read” artifacts and living beings—are described with authority. Anna struggles to understand her father, while Colin struggles with his desires to master his Raven warrior magic and avoid using the power that he inherited from Fin, the wicked King of the Dead. He sees Salem as a mentor, but Anna has her doubts. Chapters in Anna’s and Colin’s first-person voices alternate, along with several from the perspective of the Ravenfall Inn itself. The amalgam of mythical creatures and traditional beliefs provides context for a fantasy that feels original and is both captivating and convincing. Most characters read white.
A strong, enchanting adventure. (Fantasy. 9-13)Pub Date: Oct. 17, 2023
ISBN: 9780593483626
Page Count: 256
Publisher: Delacorte
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK TO SCREEN
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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