Cleveland engenders deep paranoia for the susceptibility of U.S. intelligence—under the guise of entertainment.
“How well do any of us know our neighbors?” This question anchors Cleveland’s latest novel as a CIA analyst fights against the clock to keep Iranian intelligence from infiltrating the Joint Worldwide Intelligence Communications System.
Beth Bradford’s life is in transition: Her youngest son has just started college, and she and her husband are moving out of the house where all three of their kids grew up, away from the McLean, Virginia, neighborhood where their best friends still live. Their marriage is also fading; Beth’s only solace is that she will have more time to devote to preventing Iranian intelligence from infiltrating the network using an asset only known as “The Neighbor.” Despite her almost 20 years on the case, however, she is suddenly reassigned to a teaching gig, losing her high-level security clearance and her professional raison d’être. The last bit of intelligence she (surreptitiously) accesses is a short message: “The Neighbor has found a new cul-de-sac.” Determined to figure out the identity of The Neighbor before national security is compromised, she begins to surveill her old neighborhood, noticing for the first time how most of her friends, in addition to the woman who bought her house, have their own secrets and could potentially be guilty. But no one will believe her; her family, friends, and co-workers chalk up her suspicions to midlife crisis paranoia. Will she uncover the identity of The Neighbor before it’s too late? Despite a rather predictable pattern—no one seems to understand that Beth’s concern is rooted in more than her chaotic life changes—there are a number of satisfying twists in the second half of the book. To answer the rhetorical question: No, it’s clear that we never really know our neighbors—or our own families—but must rely only on ourselves. A stark takeaway, yes, but that doesn’t make it wrong.
Cleveland engenders deep paranoia for the susceptibility of U.S. intelligence—under the guise of entertainment.Pub Date: July 26, 2022
ISBN: 978-0-593-35802-3
Page Count: 304
Publisher: Ballantine
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
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