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WHEN WE WAKE

Accessible, thoughtful and compelling—science fiction done right.

In a fast-moving and carefully built science-fiction story, Tegan Oglietti attends a climate change rally in 2027 and wakes up in a hospital just over 100 years later.

Soon after waking, Tegan learns that a sniper shot her at the rally, and her body was frozen using an experimental technique. Tegan is the first person to be awoken from a frozen state and is, as she discovers when she tries to flee the hospital, the subject of much journalistic curiosity. Although her government handlers try to keep her out of the public eye, she is allowed to live with one of her doctors as well as to attend school. There, she meets a cast of well-drawn characters, including Bethari, a savvy aspiring journalist; Joph, a chemistry genius who creates legal drugs; and Abdi, a singer from Djibouti in Australia on a rare visa. As Tegan's handlers become increasingly sinister, the teens begin investigating the project that brought Tegan back. The worldbuilding is thorough and expressed easily without ever lapsing into tiresome exposition. Tegan's friends are a fully realized multiracial and substantially LGBT cast, and even Tegan's whiteness is reflected upon thoughtfully. The ending is complete enough to provide some closure, but readers may hope to learn more about this world and its characters in a second volume.

Accessible, thoughtful and compelling—science fiction done right. (Science fiction. 12 & up)

Pub Date: March 5, 2013

ISBN: 978-0-316-20076-9

Page Count: 304

Publisher: Little, Brown

Review Posted Online: Jan. 27, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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