A stark, efficient, and compelling revision of Robinson Crusoe.
A lonely lighthouse keeper encounters a refugee and a host of uncomfortable memories.
At 70, Samuel has grown used to the occasional body of a drowning victim washing ashore, interrupting his existence as the sole occupant of an island off the coast of Africa. The latest arrival, however, is breathing, which brings both comfort and fear. Comfort because the stranger relieves Samuel’s extreme isolation; author Jennings slowly reveals that he spent 23 years in prison under a dictatorship and has been living on the island for more than two decades since. Fear, because the refugee speaks a different language, and though he seems docile, Samuel’s memories of cruelty and violence have reemerged, prompting an intensifying paranoia. In flashbacks, Samuel recalls how his (unnamed) home country escaped colonization only to lapse into a dictatorship and how the turmoil divided his family and brought him into the orbit of activists—and, eventually, prison. In deliberately plainspoken prose, Jennings makes a potent allegory out of Samuel’s relationship with the stranger. Who owns the territory Samuel is on? What does he owe a stranger arriving on it? Where’s the line between an urge to protect and a deranged fear of invasion? (The island itself is a craggy symbol of human nature. As one man told Samuel, “It’s no good trying to tame the island to your will. It will do as it wants.”) Jennings handles these questions supplely, rooting them in Samuel’s character, which deepens as this brief novel goes on. We learn, in time, about his childhood in poverty and a streak of cowardice that’s led to multiple poor decisions. The stormy mood Jennings conjures throughout the novel keeps Samuel’s decision regarding the stranger intriguingly uncertain until the final pages.
A stark, efficient, and compelling revision of Robinson Crusoe.Pub Date: May 17, 2022
ISBN: 978-0-593-44652-2
Page Count: 224
Publisher: Hogarth
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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