by Karen Lynn Williams & illustrated by Catherine Stock ‧ RELEASE DATE: March 21, 1990
In Malawi, a galimoto is a toy that a child makes from wire. (A note here explains that the word may come from "motor car," reversed and transformed.) Williams, who lived in Africa for several years, tells how Kondi searches and trades for enough wire to make one, in the process giving the reader a tour of his seaside village and its activities. Then he creates a galimoto shaped like a pickup (complete with a radio antenna) that he imagines using to carry maize to the city. Stock, who visited Malawi for her research, draws the reader into the story with her evocative double-spread watercolors. Not only an authentic picture of present-day Africa, this is also an attractive portrayal of self-reliant children who know how to meet their own needs through good-humored bargaining and ingenuity, happily absorbed in imaginative play.
Pub Date: March 21, 1990
ISBN: 0688087892
Page Count: 40
Publisher: Lothrop, Lee & Shepard
Review Posted Online: Nov. 10, 2014
Kirkus Reviews Issue: Feb. 15, 1990
Share your opinion of this book
More by Karen Lynn Williams
BOOK REVIEW
by Karen Lynn Williams ; illustrated by Andrés Landazábal
BOOK REVIEW
by Karen Lynn Williams ; illustrated by Sara Palacios
BOOK REVIEW
by Jessica Betancourt-Perez & Karen Lynn Williams ; illustrated by Gina Maldonado
by Kobi Yamada ; illustrated by Gabriella Barouch ‧ RELEASE DATE: Sept. 15, 2019
More gift book than storybook, this is a meaningful addition to nursery bookshelves
A young child explores the unlimited potential inherent in all humans.
“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.
More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)Pub Date: Sept. 15, 2019
ISBN: 978-1-946873-75-0
Page Count: 40
Publisher: Compendium
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
Share your opinion of this book
More by Kobi Yamada
BOOK REVIEW
by Kobi Yamada ; illustrated by Adelina Lirius
BOOK REVIEW
by Kobi Yamada ; illustrated by Charles Santoso
BOOK REVIEW
by Kobi Yamada ; illustrated by Elise Hurst
by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Share your opinion of this book
More by Randall de Sève
BOOK REVIEW
by Randall de Sève ; illustrated by Carson Ellis
BOOK REVIEW
by Mac Barnett ; illustrated by Carson Ellis
BOOK REVIEW
by Carson Ellis ; illustrated by Carson Ellis
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.