A mesmerizing escape.
In 1955, postwar Britain’s socio-economic changes play out in the small Yorkshire village of Starome as local estate Richmond Hall swims against a tide of mounting taxes and death duties.
Then the drowned body of Danny Masters, a village local, is discovered at river’s edge by 17-year-old Lennie Fairweather, her older brother, Tom, and their friend Alexander Richmond. As Danny’s aunt says, “That river’s always been dangerous.” Never named, it winds dangerously enough through the lives of Powell’s four protagonists: quiet Lennie, whose father’s job as private secretary at Richmond Hall has left her in social limbo, fully accepted neither by the village nor the gentry; Cambridge student Alexander, heir to Richmond Hall, who has begun a romantic relationship with Lennie while in confused, angry mourning over his father Angus’ recent death; Alexander’s mother, Venetia, whose stately role as Lady Richmond belies her insecurities and passions as a wife and mother; Danny himself, a village boy in unrequited love with Lennie though his boyhood friendships with Tom and Alexander ended years before when the two of them left for boarding school. (Intellectually gifted but resentful Tom, whose schooling Angus paid for, represents the angry young men of 1950s British fiction and film.) While Danny remains relatively innocent—pining for Lennie, his only real secret is the volume of Tennyson he’s purchased and keeps meaning to give her—his death forces Alexander, Lennie, and Venetia to confront unspoken jealousies and guilts, some more deserved than others. Love triangles abound, as do deaths with unclear causes. But this is not a murder mystery. Despite an unfortunately dated representation of mental illness, Powell shows hard-nosed empathy in portraying individuals’ private demons in the context of social realities. Her novel about love, class, and secrecy in 1950s England reads as if it were written in the era the characters inhabit, her style and tone reminiscent of an earlier generation of reticent yet emotionally brutal writers like Shirley Hazzard and Graham Greene.
A mesmerizing escape.Pub Date: Dec. 1, 2020
ISBN: 978-1-60945-615-3
Page Count: 272
Publisher: Europa Editions
Review Posted Online: Oct. 13, 2020
Kirkus Reviews Issue: Nov. 1, 2020
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
