A moderate success.
Small children learning and playing are juxtaposed with adults changing history.
Children say first words, take first steps, stack blocks, and write the alphabet. Older people walk on the moon, build historic landmarks like the Statue of Liberty, and write letters to the president to effect change. Children jump and leap and sing, adults record “We Are the World” to benefit world hunger, and Misty Copeland becomes the American Ballet Theater’s first African American principal ballerina. The children’s activities are narrated in a simple first-person-plural voice, easy to read aloud with little ones. The corresponding historical events and profiles are written in a more expository style better suited for older readers. While both storylines are worth reading, the combination makes the read-aloud experience less than smooth, although creative workarounds (like having children read the children’s parts and adults read the nonfiction parts) are possible. The adult achievements celebrated are progressive and diverse: Colin Kaepernick’s protest, Brazil’s Pride parade, Native American Code Talkers, and the AIDS Memorial Quilt are included, along with the Wright brothers, female Supreme Court justices, Mister Rogers, and the moon landing. Ali’s joyful illustrations successfully convey continuity between the children’s activities and the actions that changed history, infusing the narrative with an energy the text sorely needs to carry readers through. Endnotes provide further details about the events and individuals mentioned in the text. (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 69.4% of actual size.)
A moderate success. (timeline, notes, bibliography, resources) (Informational picture book. 4-8)Pub Date: May 4, 2021
ISBN: 978-0-06-291685-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK REVIEW
BOOK REVIEW
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered.
Inspired by Sen. Elizabeth Warren’s stand against the appointment of Sen. Jeff Sessions as U.S. attorney general—and titled for Sen. Mitch McConnell’s stifling of same—glancing introductions to 13 American women who “persisted.”
Among the figures relatively familiar to the audience are Harriet Tubman, Helen Keller, and Ruby Bridges; among the more obscure are union organizer Clara Lemlich, physician Virginia Apgar, and Olympian Florence Griffith Joyner. Sonia Sotomayor and Oprah Winfrey are two readers may already have some consciousness of. The women have clearly been carefully selected to represent American diversity, although there are significant gaps—there are no Asian-American women, for instance—and the extreme brevity of the coverage leads to reductivism and erasure: Osage dancer Maria Tallchief is identified only as “Native American,” and lesbian Sally Ride’s sexual orientation is elided completely. Clinton’s prose is almost bloodless, running to such uninspiring lines as, about Margaret Chase Smith, “she persisted in championing women’s rights and more opportunities for women in the military, standing up for free speech and supporting space exploration.” Boiger does her best to compensate, creating airy watercolors full of movement for each double-page spread. Quotations are incorporated into illustrations—although the absence of dates and context leaves them unmoored. That’s the overall feeling readers will get, as the uniformity of presentation and near-total lack of detail makes this overview so broad as to be ineffectual. The failure to provide any sources for further information should the book manage to pique readers’ interests simply exacerbates the problem.
Pretty but substance-free—which is probably not how any of this book’s subjects would like to be remembered. (Informational picture book. 4-8)Pub Date: May 30, 2017
ISBN: 978-1-5247-4172-3
Page Count: 32
Publisher: Philomel
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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