A powerful novel that will resonate with anyone who has returned to a place they no longer recognize as home.
A woman returns to her rural hometown after nearly 40 years to care for her ailing mother in Anderson’s intimate family saga.
On the cusp of 60, Cassandra Soelberg arrives in the small town of Big Horn, Utah, after a brother she hasn’t spoken to in decades demands she care for their aging mother, Dorothy, who has dementia. Having been forced as a teenager to give up a baby, Cassandra abandoned her roots in the Church of Jesus Christ of Latter-day Saints, and has been living a fulfilling life as an artist in Minnesota; she dreads her impromptu return to her childhood home. Interspersing flashbacks of Cassandra’s past, Anderson crafts a gorgeously descriptive narrative of aging, religious harm, and childhood trauma, complete with colorful characters who mostly eschew Mormon stereotypes. Through present-day Cassandra, the author offers up a refreshing depiction of older women and doesn't shy away from visible descriptions of age, from graying hair to sagging breasts. The story is also peppered with queer themes and characters, such as Cassandra’s third sibling, Matilda—born Matthew—who is decidedly not cisgender, though their exact identity is left vague. But the story shines brightest in its depiction of female bonding. Cassandra becomes a patchwork of the women who have left their marks on her life: Her grandmother Irene, who cast aside all the restraints of womanhood after the death of her husband; Elodie Linhardt, a worldly college professor who nurtures Cassandra’s artistic ability; even Toni Fuller, the Relief Society president, whom she initially distrusts. These encounters with other women, who rarely linger in the narrative yet become fully fleshed out in the space they’re given, are imbued with Anderson’s lyrical writing, which equally elevates the vast rural landscape, as in this speech from Irene: “Marvelous doesn’t mean perfect….Marvelous calls us to live on the earth, amidst the wreckage, above the mundane hours that tick on toward tomorrow and tomorrow and tomorrow, toward that stifling heaven of a poor prophet’s wet dream.”
A powerful novel that will resonate with anyone who has returned to a place they no longer recognize as home.Pub Date: Aug. 1, 2023
ISBN: 9781948814799
Page Count: 320
Publisher: Torrey House Press
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
