by Karin Fernald & illustrated by Sophie Foster ‧ RELEASE DATE: July 1, 2011
In the end, we are not amused.
No doubt meant to be droll, this arch fictionalized biography of the girl who became Queen Victoria misses the mark.
Most of the facts are here: her six unsatisfactory uncles, her beloved dog Dash, her ascension to the throne at age 18. There is a glimpse of Albert, her royal first cousin, whom she loved and who would become her spouse. But the text focuses on the years before: People call her Vicky; much is made of her lack of chin and lack of height; her mother keeps her under tight control. All of her mother's dialogue is written in a Hogan's Heroes–esque, German-accented English, which just doesn't seem very funny in the 21st century. The Duchess, her mother, on her late husband: “How fine he vos! And vot a great kink he vould haf mate, eef his horrid brudders hadn't been born before him. How dey all hated each udder!” The villainous Sir John Conroy, who worked with Victoria's mother to make her utterly dependent (and whom she instantly dismissed from court upon her coronation), plays his part, as does Lehzen, Victoria's cherished governess. The brightly colored illustrations are exaggerated and cartoony, a good match for the text.
In the end, we are not amused. (chronology, list of kings and queens) (Historical fiction. 7-10)Pub Date: July 1, 2011
ISBN: 978-1-84780-083-1
Page Count: 112
Publisher: Frances Lincoln
Review Posted Online: May 20, 2011
Kirkus Reviews Issue: June 1, 2011
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by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: July 1, 2010
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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by Nathaniel Lachenmeyer ; illustrated by Simini Blocker ‧ RELEASE DATE: June 18, 2019
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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