A once-great Scandinavian noir series now produces more yawns than spills and thrills.
Lisbeth Salander is back. She’s cold, lethal, and remorseless—and that’s on her good days.
“Vigilance comes as naturally to Lisbeth as eating, shitting and sleeping.” So writes Smirnoff, picking up the posthumous Stieg Larsson franchise where David Lagercrantz left off. Normally glued to a computer, Lisbeth is up in the woodsy far north of Sweden. Bad doings, naturally, are afoot, most caused by what’s surely the only thalidomide-baby villain in literary history. Using a wheelchair doesn’t keep our bad guy from dastardly deeds. For one, he’s trying to steal the Arctic out from under its rightful owners so that he can put up wind turbine farms—though, as it happens, he really has a more combustible and internationally interdicted form of energy in mind. When not occupied with Lex Luthor–worthy schemes, our villain has a penchant for kidnapping youngsters, some to kill, some to rape, some to hold hostage. Lisbeth’s on the case for a couple of reasons, not least connecting with a niece, daughter of the brother she snuffed a few books back. (“Did you kill him?” asks the young niece. “In a way,” Lisbeth answers.) Another is to help intrepid Larsson stand-in Mikael Blomkvist, who's at loose ends since his magazine Millennium folded. His sister and brother-in-law implicated by accident and by design in all these malevolent happenings, Blomkvist heads north to dig into the story, one punctuated by neo-Nazis, bikers, drug smugglers, and other such quotidian villains. Things turn ugly fast and stay that way; only the name-checked Greta Thunberg, it seems, has much chance of surviving once the hand grenades start flying. One decidedly bad but more mobile character memorably tosses the corpses of his victims out to be cleaned by sea eagles. One wonders whether the publishers aren’t doing the same thing, gnawing every last ounce of Larsson’s original to the bone.
A once-great Scandinavian noir series now produces more yawns than spills and thrills.Pub Date: Aug. 29, 2023
ISBN: 9780593536698
Page Count: 368
Publisher: Knopf
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
BOOK REVIEW
SEEN & HEARD
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.
A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.
Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.Pub Date: Oct. 14, 2025
ISBN: 9781538774700
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Oct. 15, 2025
Kirkus Reviews Issue: Dec. 1, 2025
SEEN & HEARD
SEEN & HEARD
A grim yet gleefully gratifying tale of lost innocence and found family.
A woman fears she made a fatal mistake by taking in a blood-soaked tween during a storm.
High winds and torrential rain are forecast for “The Middle of Nowhere, New Hampshire,” making Casey question the structural integrity of her ramshackle rental cabin. Still, she’s loath to seek shelter with her lecherous landlord or her paternalistic neighbor, so instead she just crosses her fingers, gathers some candles, and hopes for the best. Casey is cooking dinner when she notices a light in her shed. She grabs her gun and investigates, only to find a rail-thin girl hiding in the corner under a blanket. She’s clutching a knife with “Eleanor” written on the handle in black marker, and though her clothes are bloody, she appears uninjured. The weather is rapidly worsening, so before she can second-guess herself, former Boston-area teacher Casey invites the girl—whom she judges to be 12 or 13—inside to eat and get warm. A wary but starving Eleanor accepts in exchange for Casey promising not to call the police—a deal Casey comes to regret after the phones go down, the power goes out, and her hostile, sullen guest drops something that’s a big surprise. Meanwhile, in interspersed chapters labeled “Before,” middle-schooler Ella befriends fellow outcast Anton, who helps her endure life in Medford, Massachusetts, with her abusive, neglectful hoarder of a mother. As per her usual, McFadden lulls readers using a seemingly straightforward thriller setup before launching headlong into a series of progressively seismic (and increasingly bonkers) plot twists. The visceral first-person, present-tense narrative alternates perspectives, fostering tension and immediacy while establishing character and engendering empathy. Ella and Anton’s relationship particularly shines, its heartrending authenticity counterbalancing some of the story’s soapier turns.
A grim yet gleefully gratifying tale of lost innocence and found family.Pub Date: Oct. 7, 2025
ISBN: 9781464260919
Page Count: 288
Publisher: Poisoned Pen
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
SEEN & HEARD
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