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THE MEMORY THEATER

A dark fairy tale that snakes through the multiverse while maintaining the familiar tropes of legend.

Two children who are growing up set out on a journey to find escape, home, and revenge.

When Augusta stole Thistle’s name, she trapped him in the Gardens, forcing him to work as a servant until he grows up, though even that will bring no freedom: Unwanted servants become fodder for the hunt. The servants’ masters, however, never grow old, because the Gardens exist out of time, allowing the lords and ladies to endlessly relive their revels. Thistle’s other task is protecting his friend Dora, daughter of the earth, who is neither a servant nor a master. Then, when Thistle’s mistress, Augusta Prima—first seen in Tidbeck’s short story of the same name in Weird Tales (2011)—asks him to explain time, things in the Gardens begin to change. The appearance of a mysterious trader and traveler of the multiverse allows Thistle and Dora to escape, but Thistle is still without his name, and so they must search for Augusta, who holds the key to his past. Along the way, they encounter the Memory Theater, whose plays tell the story of all the worlds, as well as other creatures of myth and folklore. Augusta, meanwhile, has done some exploring of her own, leaving destruction in her wake. Tidbeck pieces together multiple worlds against a background of Swedish folktales and history. The fairy-tale quality of the prose adds to the folkloric themes of the novel but creates distance from the characters, who never develop true depth. Nevertheless, the strange and unique cast and the twists of the plot between weird and recognizable landscapes make for a satisfying read.

A dark fairy tale that snakes through the multiverse while maintaining the familiar tropes of legend.

Pub Date: Feb. 16, 2021

ISBN: 978-1-524-74833-3

Page Count: 240

Publisher: Pantheon

Review Posted Online: Dec. 14, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

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AMONG THE BURNING FLOWERS

Devoted series fans will appreciate the added pieces to this expansive narrative puzzle.

After 500 years, the Grief of Ages is a distant memory—until dragons hellbent on destruction begin to wake again.

In this relatively brief prequel to the epic The Priory of the Orange Tree (2019), the kingdoms of Virtudom have experienced centuries of relative peace. Marosa Vetalda, the Princess of Yscalin, spends her days behind castle walls under the gaze of her overprotective father, awaiting the date when she’ll be wed to Aubrecht of Mentendon, her ticket to freedom. While the book’s main focus is initially on the political threads weaving the Western kingdoms together, the frailty of best-laid plans is exposed when evidence of the reemergence of draconic beings reaches castle ears. These tales often come from the cullers who make their living slaying these creatures, and who are often blamed for intentionally waking them for profit. No one alive remembers the Grief of Ages, so no one’s prepared when Fýredel, the great High Western dragon, surfaces from the volcanic mountain that towers ominously over Yscalin’s capital city of Cárscaro. What follows is the backstory of how the devoted Yscali kingdom comes to shift allegiance to Fýredel and his master, the Nameless One, a main catalyst to events in The Priory. Overall, this book reads more like history lesson than fantasy adventure, but the sheer terror that befalls the Yscali people as they face Fýredel’s pure evil is both powerful and relevant. Marosa’s plight further solidifies her as a hero worth remembering; her strength and defiance shine through as hope for the future she’s dreamed of slowly flickers out.

Devoted series fans will appreciate the added pieces to this expansive narrative puzzle.

Pub Date: Sept. 16, 2025

ISBN: 9781639736010

Page Count: 288

Publisher: Bloomsbury

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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