by Karl Kristian Flores ‧ RELEASE DATE: Jan. 5, 2023
The humorous, ponderous misadventures of this malcontent are a lot of fun.
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A young man bemoans his stagnant life and struggles to make sense of the world around him in Flores’ novel.
The author limns the scattershot life of young Andrei, a chronically depressed, easily annoyed, contemplative Beverly Hills hotel clerk who grasps at personal bliss and meaningful change and who winds up mostly empty-handed. He divulges that he makes a generous salary and lives in an attractive apartment, but he sleeps on a futon mattress on a floor that “smelled of earth and mushroom” and angles to give people the impression that he actually went to college by wearing a UCLA hoodie. He admits to becoming “numb to life,” having lost interest in the things that used to make him happy. Every pleasure has become negated by its own predictability, he laments; video games, pornography, writing—nothing holds the allure it once did. His boredom is disrupted when he’s discovered pleasuring himself inside an unoccupied suite while listening to the neighboring room’s occupants having sex. He is caught by an incoming guest named Mars, a beautiful, wise, intuitive actress who, after a probing discussion, wholly captivates Andrei—to the point that he begins stalking her after his shifts.
For a shorter novel, Flores manages to economically convey a great amount of opinionated perspective, emotion, and dark, self-effacing humor. His skill is most evident in his masterfully imagined creation, the disillusioned, navel-gazing Andrei, alongside a busy cast of peripheral characters and a few particularly persnickety hotel guests: the male hotel floor manager who wears copious eyeliner and blush, the crying, aging woman “with marks of two dried rivers on her face,” and a host of others. All of these wacky personalities, highlighted in their brief interactions with the protagonist, collectively threaten to steal the show as they either enhance his life or inadvertently (and often comically) contribute to his continual state of misery. As the location of each chapter changes, so does the reader’s perspective on how Andrei is coping (or not) with the challenges set forth in his life. The story’s shifting settings, from bedroom to cafe to hospital to cemetery, are less jarring than they are enticing and exciting; these atmospheric variations lend the novel a sense of surprise. While the inclusion of spicy, explicit sex scenes may be off-putting to more sensitive readers, they humanize Andrei and flesh him out as a human being with needs and wants outside of more mundane, everyday desires—despite his opinion that sex is “disappointingly unidimensional.” Sprinkled among descriptions of Andrei’s antics are passages of protracted introspection and often pessimistic contemplation of life, human nature, his attraction to the opposite sex, and the eternal quest for happiness, all of which contribute to the story’s inward-facing perspective—and disappointingly sluggish pacing. Despite the vivid intensity with which Flores portrays Andrei’s interactions with Mars, the novel leaves this memorable relationship unresolved. In spite of these quibbles, the ride is a hoot, and readers will find themselves speculating about what Andrei does next or what agonizing new ordeal awaits him. That unpredictability is the best part of this novel.
The humorous, ponderous misadventures of this malcontent are a lot of fun.Pub Date: Jan. 5, 2023
ISBN: 9798362073442
Page Count: 201
Publisher: Self
Review Posted Online: March 21, 2023
Review Program: Kirkus Indie
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by Karl Kristian Flores ; illustrated by Maya Concepción
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Colleen Hoover ‧ RELEASE DATE: Jan. 13, 2026
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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