A superb blend of social history and material culture, essential for students of 20th-century geopolitics.
German historian and journalist Schlögel casts a discerning eye on the things that surrounded the Soviet Union and its people.
Who knew that, apart from his experiments with dogs, Ivan Pavlov wrote a preface concerning nutrition for a bestselling Soviet cookbook? That’s one of just many oddments Schlögel assembles in this utterly absorbing tour through the material goods that defined the Soviet era, from pulpy wrapping paper to the medals veterans wore, from canned goods to perfume and tchotchkes and everything in between. All were on display immediately after the Soviet Union collapsed, as the author notes empathetically: “Things that had previously been carefully stored and preserved until the end of people’s lives—distinctions, work records, diplomas and even medals—all find themselves up for sale in the flea market once material needs have become sufficiently pressing and the sense of reverence has evaporated.” Sometimes people got rid of these things less for financial need than to discard a failed system, but even so, there’s a nostalgia at work in a marketplace that has shifted from the streets to shopping malls and department stores that could be anywhere in the world. Schlögel is particularly fascinated by old signs for such things as the butcher shop, which may have had the barest range of offerings, something that “is hard to describe…when you come from a world where there are always dozens of different sorts of meat and sausage.” If there was an abundance of anything in the Soviet Union, it was of aspirational rhetoric: A fascinating case is the Great Soviet Encyclopedia, which argued that alphabetical order was a feeble artifact of the ruling class of old, to be swept aside for a new way of arranging knowledge. (Alphabetical order was eventually restored.) More ominous, as Schlögel unveils, was its editors’ insistence that there's no such thing as “objective facts,” a foreshadowing of today’s post-truth world.
A superb blend of social history and material culture, essential for students of 20th-century geopolitics.Pub Date: March 14, 2023
ISBN: 978-0-691-18374-9
Page Count: 880
Publisher: Princeton Univ.
Review Posted Online: Nov. 10, 2022
Kirkus Reviews Issue: Nov. 1, 2022
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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