Well-produced, pleasingly peopled, with a strong narrative and plenty of provocative plot lines: a superb beginning to the...
Contemporary fantasy meets urban noir in Richardson’s intriguing debut.
Following a savage assault, PI Harper Blaine lies clinically dead for two minutes. When she recovers, her perception of Seattle will never be the same. Along with mundane reality, she sees blowing grey mist and people who aren’t solid. Fearing for her sanity, she consults university professor Mara Danziger, who claims to be a witch. Mara tells confused, disbelieving Harper that the grey mist is the paranormal dimension, occupied by ghosts, monsters and other unspeakable things. Harper’s head injury has turned her into a “greywalker” who can not only perceive the grey but touch and enter it—if she has the skill and the courage. Mara’s resident ghost, Albert, isn’t too scary, but both of Harper’s current cases take alarming paranormal twists. Missing college kid Cameron Shadley has been transformed into a vampire. Cameron’s problem, aside from his overprotective mother, is that the vampire who bit him didn’t bother to provide the requisite survival skills. Harper’s other client, the sinister Grigori Sergeyev, manages to phone her office even when the phone line is down. Sergeyev wants her to recover a missing heirloom that, it transpires, is a focus of terrible necromantic power. Love interest Will Novak, an auctioneer, suspects his boss is ripping him off. And electronics whiz and fix-it guy Quinton, whom Harper consults after her office is broken into, clearly knows more than he’s telling. To solve both cases, Harper may be forced to combine them—as well as learn how to survive inside the grey itself.
Well-produced, pleasingly peopled, with a strong narrative and plenty of provocative plot lines: a superb beginning to the series that’s unquestionably in the offing.Pub Date: Oct. 3, 2006
ISBN: 0-451-46107-X
Page Count: 352
Publisher: ROC/Penguin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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