Readers will remain intrigued through the final curtain of this frightfully fun tale.
In Book 3 of the Babysitting Nightmares series, it’s Maggie Anderson’s turn in the spotlight.
Locals say the old Twilight Theater is cursed, but that doesn’t stop the 13-year-old aspiring actress from taking her first babysitting job looking after the daughter of the performer with the role of Lady Macbeth. When unexplainable events occur during rehearsals for the “Scottish play,” Maggie wonders if the theater really is cursed, but she’s hesitant to tell her friends about the unsettling happenings; they might think she’s an incompetent babysitter. Can Maggie handle the ghostly lady in red alone, or will she swallow her pride and ask for help? Observant readers will catch possible foreshadowing for the fourth book. Theater superstitions add intrigue: Never say “Macbeth” aloud in a theater unless you’re performing it; the ghost light must remain on when the theater is dark; and never wish an actor “good luck.” The story itself is engaging, but the handful of emotionless, flat black-and-white illustrations don’t add much value. Knowledge of the previous books isn’t necessary, but readers who like this one will want to pick up the first two for more chills and thrills. Artwork shows Maggie as white. Her friends are casually diverse: Tanya Martinez is implied Latinx; Rebecca Chin is implied Chinese; and Clio Carter-Peterson presents black.
Readers will remain intrigued through the final curtain of this frightfully fun tale. (Thriller. 8-13)Pub Date: Aug. 20, 2019
ISBN: 978-1-250-15701-0
Page Count: 224
Publisher: Imprint
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
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BOOK TO SCREEN
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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