The team behind And If the Moon Could Talk (1998) relates what happens one night when Alex achieves his wish to go to work with Papa, a nighttime engineer on a construction site. Donning their hard hats, the two “men” leave quietly so Mama can sleep. They see other night workers—street sweeper, deliveryman, policewoman—as they head for the site, where “stars shine like beacons for the night workers.” Alex waves back at the giant, airborne arm of an excavator, hears a cement mixer hum as it pours foundation concrete, watches a crane move its heavy load overhead, then gets exciting hands-on experience driving a yellow loader. At break, when “all motion is stopped like a held breath,” it's time for a weary boy to head home through still more night people—couple under a streetlight, woman walking her dog—and go to bed, where his dreams expand his night’s experience. This may be nighttime, but you wouldn’t guess it from the golden light flooding most of the full-bleed, full-spread illustrations, in which objects—including the machines beloved by little boys—are outlined in black so that vibrant hues are separate and distinct under harsh, artificial, nighttime light. The pictured warmth of the father-son relationship combines with restrained yet poetic text to make this “take your son to work night” a special one indeed. (Picture book. 2-6)
Pub Date: Aug. 28, 2000
ISBN: 0-374-35520-7
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
Through quick thinking and personal sacrifice, a wise old Japanese farmer saves the people of his village from a devastating tsunami in this simple yet striking story based on Lafcadio Hearn’s “A Living God.” Ojiisan lives in a cottage on a mountain overlooking the village and sea. One day, villagers gather to celebrate the rice harvest, but Ojiisan stays home thinking “something does not feel right.” When the earth quakes and the sea darkens and runs away from the land, Ojiisan realizes a tsunami approaches. Fearing the oblivious villagers will be swept away, Ojiisan torches his rice fields to attract attention, and they respond, barely escaping the monster wave. Rendered in gouache, pastel and collage, Young’s illustrations cleverly combine natural textures, bold colors and abstract shapes to convey compelling images of chaos and disaster as the rice fields burn and the wave rushes in. In one literally breathtaking double-page spread, an enormous wall of water engulfs the teeny seacoast village. A visually powerful and dramatic tribute to one man’s willingness to sacrifice everything for others. (Picture book. 3-5)
Pub Date: Jan. 1, 2009
ISBN: 978-0-399-25006-4
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2008
BOOK REVIEW
Momo longed to carry the blue umbrella and wear the bright red rubber boots she had been given on her third birthday. But day after day Indian summer continued. Momo tried to tell mother she needed to carry the umbrella to nursery school because the sunshine bothered her eyes. But Mother didn't let her use the umbrella then or when she said the wind bothered her. At last, though, rain fell on the city pavements and Momo carried her umbrella and wore her red boots to school. One feels the urgency of Momo's wish. The pictures are full of the city's moods and the child's joy in a rainy day.
Pub Date: March 1, 1958
ISBN: 978-0-14-050240-4
Page Count: 32
Publisher: Viking
Review Posted Online: Dec. 9, 2013
Kirkus Reviews Issue: March 1, 1958
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