A big-hearted account of one family’s trans story.
Brookes describes mothering young twins, one cis, one trans, in this debut memoir.
The author, a television journalist-turned-filmmaker, author, and activist, was thrilled when she learned she was pregnant with twin boys. Her complicated relationship with her own mentally ill mother had convinced her that girls would be way more trouble. Boys would be easy—or so she thought. Their individual personalities were apparent right from the beginning: “Jacob seemed soft and chill,” remembers Brookes. “Gideon looked like he was ready to battle the world. In retrospect, he probably was.” When, at the age of 8, Gideon informed Brookes and her husband, Mike, that he thought he might be “transister,” the author wasn’t surprised. Gideon had been gender non-conforming his entire life, playing with Barbies and requesting spa-themed birthday parties. Even before this confession, Brookes had attended meetings of a support group for the parents of LGBTQ children. She was fully prepared to be the best mother she could be for her daughter, who soon chose the name Gabriella, and resolved to ensure that she had as healthy and happy a childhood as possible. As the family moved into uncharted territory, however, growing pains proved unavoidable—particularly when it became apparent that the family member least willing to accept Gabriella’s gender was her twin brother, Jacob. Brookes is a skilled storyteller, fleshing out her family’s dynamic with the detailed prose of a novelist. Here the twins draw self-portraits on their bedroom wall: “Whereas Jacob had added a football to his portrait, Gideon had transformed his body entirely. Gone were his legs, and in their place was a huge green mermaid tail, with elaborate fins drawn in. Toward the top of the portrait, he had added a wavy mane of blond hair that offset his bright blue eyes.” There’s something universal in the author’s tireless attempts to do things right: she handles Gabriella’s coming out with the same maternal determination exhibited during earlier attempts to diagnose the children’s learning disorders and get them into the best day school. People from families of all stripes are bound to see something of themselves in this tale.
A big-hearted account of one family’s trans story.Pub Date: Aug. 8, 2023
ISBN: 9781647425210
Page Count: 264
Publisher: She Writes Press
Review Posted Online: July 21, 2023
Review Program: Kirkus Indie
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.
The former iCarly star reflects on her difficult childhood.
In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.
The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.Pub Date: Aug. 9, 2022
ISBN: 978-1-982185-82-4
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 30, 2022
Kirkus Reviews Issue: July 1, 2022
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An intriguing but uneven family memoir and travelogue.
An author’s trip to Venice takes a distinctly Borgesian turn.
In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.
An intriguing but uneven family memoir and travelogue.Pub Date: April 2, 2024
ISBN: 9781953368669
Page Count: 144
Publisher: Belt Publishing
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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