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HANS MY HEDGEHOG

A TALE FROM THE BROTHERS GRIMM

This unusual Grimm adaptation utilizes traditional fairy-tale treatments (lyrical language, graceful lettering) alongside...

Hans, half hedgehog and half human, lives as a hermit, deep in a forest with a rooster steed and an entourage of pigs, happily playing his fiddle, until two kings make promises that send him looking for his just reward: a princess.

This unusual Grimm adaptation utilizes traditional fairy-tale treatments (lyrical language, graceful lettering) alongside innovative artistic choices (embedded paneling, sharp spot art). Inset oval illustrations, framed with blurred edging, draws eyes, while coal-black silhouetted scenes contribute to storytelling, adding even more depth to rich acrylic illustrations. Flecked, smudged backgrounds look like fibrous paper and complement the pictures’ prevalent, ripe oranges, yellows, reds and blues. Plump, puppetlike people might seem dated, but Hans breaks from old-school fairy-tale renderings as a contemporary character; he’s cute, comical and soulful enough to seem both freakish and sad. To older children, just seeing lines drawn between insiders and outsiders, between the attractive and unattractive, Hans’ story seems grave. While the ending is completely expected, readers can't help loving it and even giving up a little gasp. When a kind princess inspires magical music from Hans’ fiddle, he transforms into an entirely human hottie—and even looks like his old spiky self, with red tufted hair and a scratchy beard!  Prickly, a bit funny and a bit dark: classic Grimm, modernized.   (author’s note) (Picture book/fairy tale. 4-10)

Pub Date: Jan. 24, 2012

ISBN: 978-1-4169-1533-1

Page Count: 40

Publisher: Atheneum

Review Posted Online: Nov. 8, 2011

Kirkus Reviews Issue: Dec. 1, 2011

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CREEPY PAIR OF UNDERWEAR!

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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