A smart and enticing fictional memoir.
When a young woman writes a trilogy of bestselling books under a pen name, everyone wants to know her identity, but she has reasons for keeping herself hidden.
The reclusive author Cate Kay is legally named Cass Ford, but she was born Anne Marie Callahan—and to her best childhood friend, she was always known as Annie. Growing up in upstate New York, Annie and Amanda did everything together. They especially loved to act, and they shared big dreams of running off to Los Angeles. Although Annie’s love for Amanda wasn’t entirely platonic, their attachment ran deep enough to survive their mismatched feelings. What their relationship was less able to survive was an unexpected accident. Annie ended up leaving town alone and creating a new life for herself. Dismayed by her cowardice in leaving Amanda behind, she takes on a new identity as Cass Ford and falls into a relationship with Sidney, a woman who seeks to isolate and control her. When Cass writes a runaway hit, Sidney—who’s one of the few people privy to her real identity—doesn’t want to share that information, or any other part of Cass, with the world. As Cass navigates her new success, she begins to wonder whether she ever really knew who she was and what she should do now that she has the power to choose. The story is presented as Cate Kay’s memoir and sprinkled with her own footnotes, but it also offers brief chapters from the first-person viewpoints of many other characters, implying that Cass has reached out to them for their perspectives. Through this documentary-like setup, author Fagan is able to round out the picture of Annie/Cass/Cate and the way she’s coped with various traumas. Though the characters are multidimensional and compelling, some of their actions are a bit hard to believe, like the way Annie abandoned her best friend in a moment of need and later accepted tragic news without any sort of verification. Similarly, there are times where the narrative is weighed down with irrelevant details. Even so, Fagan explores many complex topics with grace, ranging from toxic friendships to uncomfortable professional successes and undeserved second chances.
A smart and enticing fictional memoir.Pub Date: Jan. 7, 2025
ISBN: 9781668076217
Page Count: 304
Publisher: Atria
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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