Thirteen-year-old love at its finest.
Two seventh grade Boston girls meet in poetry club, fall in love, fight, and find their way back to each other in this verse novel.
Even though “Love at First Sight is not a thing,” Olivia and new girl Eden quickly become friends and then more. But Eden, whose mom has left and whose dad is homophobic, wants to keep their relationship secret. Eden also becomes part of a tightknit group of girls she names the Crash. After one of their parties, Olivia hurls a misogynistic slur at Eden and breaks up with her. Regretful, Olivia later comes up with a scheme to win Eden back: a poetry night where she will perform a poem of apology. Both girls are largely without supportive adult guidance—Olivia’s mother has depression, and her avoidant dad works long hours—so they make mistakes and correct them as best they can, relying on poetry, music, and friends to fill in the gaps. Their personalities shine through their beautifully crafted poems, full of aches, worries, and joys. Three final poems, set a few months later, provide a coda and some closure. Olivia’s poems are aligned left, Eden’s are aligned right; drafts of Olivia’s apology poems appear on lined paper in a spiral-bound notebook. Both girls are coded White; Olivia’s best friend is trans.
Thirteen-year-old love at its finest. (Verse fiction. 11-14)Pub Date: May 30, 2023
ISBN: 9780063256941
Page Count: 368
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: March 28, 2023
Kirkus Reviews Issue: April 15, 2023
BOOK REVIEW
In a morality tale with all the breeziness and exaggeration of a teen movie, an eighth-grade mean girl loses her status and becomes only slightly less mean.
The lead in the school musical and the host of an advice segment on the school's TV channel, Kacey Simon starts at the top. Then a failure to care for her new purple contacts and a fall at her friend Molly's boy-girl birthday party doom Kacey to the ultimate in loser accessories: glasses and braces. Saddled with a braces-related speech impediment along with her geeky new look, Kacey finds herself at the bottom of the pecking order. Molly and other former friends circulate a YouTube video mocking Kacey's lisp, and, somewhat unrealistically, the drama teacher immediately removes her from the school play. Luckily (and, one might argue, undeservedly), two outcasts support the fallen queen of mean. Paige, a student-government enthusiast, helps Kacey with a plan to regain her popularity. Zander, an indie rocker who wears, to Kacey's horror, skinny jeans, grudgingly accepts Kacey as his band's lead singer. Despite the book's ostensible stance against meanness, Kacey regains her social standing largely by bullying and manipulating her old friends, and the notion that glasses and braces must always spell social ruin is left unquestioned.
Pub Date: Oct. 5, 2011
ISBN: 978-0-316-06825-3
Page Count: 304
Publisher: Poppy/Little, Brown
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
Readers might wish for more Drog and less emotional turmoil, but a sturdy debut nonetheless.
The principles and practice of Aikido—and a talking sleeve puppet that won't let go of his hand—help a lad come to terms with suppressed anger over his parents' divorce.
Parker wrongly (or perhaps rightly) considers himself a "pretty happy, pretty ordinary kid" until the decrepit hand puppet he finds in a garbage can not only refuses to come off but delivers ill-tempered insults, often in the hearing of others. The refusal of his parents, his sixth-grade classmates and even his best friend Wren to believe that "Drog" has a mind of its own trigger outsized bursts of rage. Parker finds temporary peace in practicing the inner balance and (accurately presented, if a little too easily learned) harmonizing responses to attacks he picks up at a nearby school of Aikido. Eventually, though, he loses control of his temper and soundly thrashes a bully. Parker's shame ultimately leads to a breakthrough and better self-control. The puppet plays a secondary role to the martial art in resolving Parker's conflict, and though Cowing's efforts to keep who's really doing the talking ambiguous are too obvious, she engineers a cleverly credible way to separate boy and puppet at the end.
Readers might wish for more Drog and less emotional turmoil, but a sturdy debut nonetheless. (Fiction. 11-13)Pub Date: Sept. 1, 2011
ISBN: 978-0-7613-6076-6
Page Count: 288
Publisher: Carolrhoda
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
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