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RABBIT AND THE MOTORBIKE

Graceful text and evocative illustrations combine in this story about the rewards of facing fears and trying something new.

A fearful rabbit finds the courage to broaden his horizons in this picture book.

Rabbit, anthropomorphically attired in overalls, lives in a wheat field that he never leaves. Instead, he waits for Dog—more sartorially adventurous in a black leather-fringed jacket, appropriate for motorbike travel—to visit and tell him stories of the road. But one day Dog dies, an event touchingly illustrated with an image of Rabbit sitting on his porch steps with drooping ears and drooping flowers. Rabbit is surprised that Dog leaves his motorbike to him, and he stores it away, admitting that he is too scared to use it. Author Hoefler takes a well-used theme and infuses it with a graceful poetic cadence that reads like a firelight tale as she relates how, yes, Rabbit does eventually work up the courage to travel on the motorbike, and yes, does come home again, enriched and changed. Illustrator Jacoby’s smudgy, delicate illustrations depict these changes—both in Rabbit’s appearance and demeanor and in the story’s landscape—with an evocative, textural style that heightens the story’s emotion. One illustration, a double-page spread of a beach from an overhead perspective, is initially disorienting, then exhilarating. The book adroitly combines spot illustrations and double-page spreads to establish and control the story’s elegant, thoughtful pace.

Graceful text and evocative illustrations combine in this story about the rewards of facing fears and trying something new. (Picture book. 3-7)

Pub Date: Sept. 10, 2019

ISBN: 978-1-4521-7090-9

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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WHY?

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Doctor X-Ray, a megalomaniac with an X-ray blaster and an indestructible battle suit, crashes through the ceiling of the local mall.

Innocent patrons scatter to safety. But one curious child gazes directly at the bully and asks: “Why?” At first, Doctor X-Ray answers with all the menace and swagger of a supervillain. The curious child, armed with only a stuffed bear and clad in a bright red dress, is not satisfied with the answers and continues asking: “Why?” As his pale cheeks flush with emotion, Doctor X-Ray peels back the onion of his interior life, unearthing powerful reasons behind his pursuit of tyranny. This all sounds heavy, but the humorously monotonous questions coupled with free-wheeling illustrations by Keane set a quick pace with comical results. At 60 pages, the book has room to follow this thread back to the diabolical bully’s childhood. Most of the answers go beyond a child’s understanding—parental entertainment between the howl of the monosyllabic chorus. It is the digital artwork, which is reminiscent of Quentin Blake’s, that creates a joyful undercurrent of rebellion with bold and loose brush strokes, patches of color, and expressive faces. The illustrations harken to a previous era save for the thoroughly liberated Asian child speaking truth to power.

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Pub Date: Oct. 1, 2019

ISBN: 978-1-4521-6863-0

Page Count: 60

Publisher: Chronicle Books

Review Posted Online: June 24, 2019

Kirkus Reviews Issue: July 15, 2019

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LOVELY

“Lovely is different, weird, and wonderful.” So reads the caption for a white girl with blonde hair and one blue and one...

Beauty is said to be in the eye of the beholder, and this book encourages readers to regard everyone as “lovely.”

In today’s world, with increasingly evident diversity in race, ethnicity, gender expression, sexuality, fashion, body shape, abilities, and choices about everything, the author/illustrator presents people of every description in the bold, brightly colored digital illustrations. Opposites are introduced: “black” for a white young woman clad in black and “white” for a young-looking, brown-skinned woman with flowing white hair. “Simple” appears on a tattooed white arm, along with a few designs, while “complex” is written on a brown arm, with what appear to be elaborate mehndi designs (henna designs applied before a South Asian wedding). A white baby is “soft,” and an older white woman with purple hair, a spiked denim jacket and choker, a nose ornament, and many ear decorations is “sharp.” A “tall” person with Asian features walks a small dog. A “short” smaller, light-brown–skinned male with green hair has a large dog. A gay interracial male couple face an adoring dark-brown–skinned child and mom. These pages read: “Lovely is you. / Lovely is me.” The last double-page spread includes young and old: a white woman in a wheelchair (there is one amputee with a modern prosthetic leg earlier in the book), a goateed man in a bustier, and others of various colors and sizes.

“Lovely is different, weird, and wonderful.” So reads the caption for a white girl with blonde hair and one blue and one brown eye! A simple book with lots of truth. (Picture book. 3-6)

Pub Date: Oct. 1, 2017

ISBN: 978-1-939547-37-8

Page Count: 32

Publisher: Creston

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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