An electrifying, high-stakes series opener grounded in feminist themes.
Opposing forces seek leverage in a world in which intrinsic magic, widely believed to have been eradicated, is traded in secret.
Long ago, women known as Fyrebirds wielded powerful, even deadly, magic. Accused of witchcraft and persecuted by the patriarchal church, the remaining Fyrebirds survived by concealing their abilities and marrying into the Great Houses, whose wealth and influence offered protection. Generations later, the Fyrebirds have passed into myth, while Nightbirds, their female descendants, are vessels for subtler abilities that they themselves cannot wield; instead, their abilities may be temporarily gifted to others through kisses. While the Great Houses continue to fiercely guard and regulate access to the Nightbirds’ identities and gifts, those who fear—or have tasted—the Nightbirds’ magic are determined to unmask them. Socialite Matilde has never questioned the system in which she participates; she enjoys having (and being) a rare secret. But soon after she’s joined by street-wise Sayer and country girl Æsa, two new Nightbirds, an attack in the Nightbirds’ inner sanctum sets the three girls on a different path, one with massive personal and political implications. Their present-tense narrative perspectives establish clear distinctions between them as they navigate and boldly question the intersections of patriarchy, privilege, and fear that shape their world. Lush settings, careful worldbuilding, and taut exposition are seamlessly presented through the characters’ internal observations. Main characters read White; queer identities are woven into the story.
An electrifying, high-stakes series opener grounded in feminist themes. (maps) (Fantasy. 12-18)Pub Date: Feb. 28, 2023
ISBN: 978-0-593-46327-7
Page Count: 480
Publisher: Nancy Paulsen Books
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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