Manning’s historical fiction entertains and instructs.
Everything old is (unfortunately) new again.
Echoes of current social problems resonate throughout Manning’s extensively researched saga of a young woman’s life in a Colorado mining town at the turn of the 20th century. Teenage Sylvie Pelletier’s family is forced to relocate from Vermont to Colorado after her father runs afoul of anti-union sentiments at his marble quarrying job. Naïvely, Sylvie looks forward to a more unfettered existence in Colorado, a thought which is quashed almost from the outset of her life there. The economic realities of working-class life in a company town are harsh, and winters in that setting are almost unendurable. After finishing school, Sylvie obtains a job as a jack-of-all-trades at the town’s newspaper, an opportunity which allows her a small measure of independence and income while opening her eyes to the value of an uncensored press. Soon, she is hired as a secretary by the dilettantish trophy wife of the mining company’s owner, a position which allows her an insider’s view of the family’s opulent lifestyle and deplorable labor and social practices. As the mine’s workers become increasingly militant about union organization in the face of their exploitation, Sylvie must reconcile her infatuation with the whimsical yet troubled heir to the mining fortune with her familial obligations (and an attraction to a labor organizer!). Issues of race relations and the toxic legacy of slavery figure prominently in the narrative, as do questions about the legitimacy of unions, corporate and workplace regulation, and the privatization of police functions (via the employment of murderous Pinkerton guards by the mine owners). Manning’s bildungsroman not only provides a clear portrait of her young heroine; it captures the intensity of an unsettled time and place in American history.
Manning’s historical fiction entertains and instructs.Pub Date: Nov. 1, 2022
ISBN: 978-1-982160-94-4
Page Count: 464
Publisher: Scribner
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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