by Kate Messner ; illustrated by Adam Rex ‧ RELEASE DATE: March 24, 2020
Clear, engaging, and fun (and just a little iconoclastic).
What did presidents do before being elected? Tour a gallery of presidential portraits and find out!
There is always just one president at a time, but the presidents to come—maybe 10 or more—will be out there somewhere. When John F. Kennedy was elected as the 35th president in 1961, the next 10 presidents were alive. What were they doing? Lyndon Baines Johnson was Kennedy’s vice president. Jimmy Carter was a peanut farmer. George H.W. Bush was president of an oil exploration company. Donald Trump was attending a military academy, “where his father had hoped he would learn some discipline.” In his painterly art, Rex depicts a diverse group of people touring a gallery of presidential portraits. The tourists are multiracial and multiethnic, young and old. There’s a woman wearing a hijab pushing a stroller and a woman using a wheelchair. But the faces on the wall are all of white men until No. 44, President Barack Obama. There is no portrait of President Trump, but there is one of Hillary Clinton, “a woman nominated by a major party for the highest office of the land”—which, though true, is misleading in this context. Follow her gaze to an empty frame, No. 46, where the next portrait of a future president will be included. What are future presidents doing right now? The extensive backmatter is accessible and informative, and it includes reading suggestions for young readers.
Clear, engaging, and fun (and just a little iconoclastic). (presidential birthplaces, presidential requirements, bibliography) (Informational picture book. 8-12)Pub Date: March 24, 2020
ISBN: 978-1-4521-7488-4
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Kate Messner ; illustrated by Christopher Silas Neal
by Gloria Spielman & illustrated by Manon Gauthier ‧ RELEASE DATE: Sept. 1, 2011
At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the...
The legendary mime is introduced to a new generation, though not entirely successfully.
As a child, Marceau loved to silently entertain his friends, like his idol, Charlie Chaplin. During the Nazi occupation of France, Marcel and his brother took on new identities in the French Underground, where they forged documents for Jewish children and helped many to escape to Switzerland. Spielman assumes that her young audience will understand references to deportation and concentration camps; unfortunately for those that don't, her matter-of-fact tone speaks more of adventure than deadly peril. Her tone subtly changes when she lovingly describes Marceau’s training and development as a mime and his stage persona of Bip the clown, admiring his skills in the “art of silence” that won him international renown. But here too, comparisons to the Little Tramp and Pierrot may be outside readers’ frame of reference. Though the illustrations carefully complement the textual content with period details, Gauthier’s cartoon faces are all nearly identical, with only the screen image of Chaplin and Marceau’s Bip having distinctive features. A double-page spread at the conclusion provides photographs of Bip in action and is the only clear indication of Marceau’s stagecraft.
At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the book looks elsewhere. (Picture book/biography. 8-10)Pub Date: Sept. 1, 2011
ISBN: 978-0-7613-3961-8
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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by Gloria Spielman ; illustrated by Inbal Gigi Bousidan
by Kathleen Krull & illustrated by Peter Malone ‧ RELEASE DATE: Aug. 1, 2011
This “little history of hair” entertains largely with hair-brained ideas about how humans tame their tresses.
From the grooming habits of our ape ancestors to current-day hair care, the anecdotal format moves chronologically through time. In between, readers learn various ways of keeping locks free of bugs, soft and styled in the current fashion. How about a bird cage on your head? Maybe lilac dye is more your style? Despite many tries (including pigeon poop and camel pee), no one seems to have come up with the perfect cure for baldness. From the beehive to the moptop to the comeback of the Mohawk, it appears that history and hair weave together even as fashions pervade popular culture. Gouache illustrations border on the surreal, often highlighting the comedy that is described in the text. The paintings also accurately display the time periods, settings and techniques for each vignette. Cleverly named “Hair Extensions” do exactly that, extend each snippet with just a little more story. The author’s note explains a lifelong fascination with hair; Krull produced her first book about hairdos at age 10. Includes a list of sources that note those titles especially for young readers and those best for picture research.
This braiding of history, humor and hair positively poufs. (Informational picture book. 8-12)
Pub Date: Aug. 1, 2011
ISBN: 978-0-439-67640-3
Page Count: 48
Publisher: Levine/Scholastic
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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by Kathleen Krull & Virginia Loh-Hagan ; illustrated by Aura Lewis
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by Kathleen Krull ; illustrated by Annie Bowler
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by Kathleen Krull & Paul Brewer ; illustrated by Boris Kulikov
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