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BEING MISS AMERICA

BEHIND THE RHINESTONE CURTAIN

Though critical, this provocative book’s greatest strength is the author’s positive call to action to help Miss America...

The winner of the 1998 Miss America pageant tells the story of her year wearing the crown while offering an incisive history and analysis of an always-controversial beauty contest.

Stage actor Shindle was a junior at Northwestern University when she won the Miss America title. From that moment forward, she would no longer simply be just another talented and beautiful collegiate. As Miss America, she would “always carry the mantle—and, as it turns out, the baggage that comes with it—of Miss America’s complicated history” and become something more than herself.  Part memoir, part exposé, Shindle’s book interweaves her experiences with an examination of a nearly 100-year-old institution. She discusses her early involvement with the contest as a volunteer and the way becoming Miss America became her “ticket to acceptance” among peer groups that once ignored her. At the same time, Shindle delves into the history of the pageant, which first began in 1921 when Atlantic City businessmen used it as a sexy gimmick to bring in post–Labor Day business. From there, it evolved into a national icon that celebrated contestants for their wholesomeness and beauty rather than their aspirations and political outspokenness. Shindle documents the growing pains Miss America faced in the aftermath of the social upheavals of the 1960s and ’70s and the way organizers struggled, often without success, to align the event with changing perceptions of American womanhood and stay culturally relevant. She argues that these difficulties continue even into the present, despite an emphasis on contestant involvement in community projects. Citing “mismanagement on both the staff and board levels” as the root of pageant problems, Shindle concludes that if the Miss America “brand” is to survive, it will have to “[develop] a lasting identity and [reject] the many temptations that run counter to that identity.”

Though critical, this provocative book’s greatest strength is the author’s positive call to action to help Miss America “become something greater” than it is.

Pub Date: Sept. 1, 2014

ISBN: 978-0-292-73921-5

Page Count: 232

Publisher: Univ. of Texas

Review Posted Online: June 16, 2014

Kirkus Reviews Issue: July 1, 2014

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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