by Kate Shindle ‧ RELEASE DATE: Sept. 1, 2014
Though critical, this provocative book’s greatest strength is the author’s positive call to action to help Miss America...
The winner of the 1998 Miss America pageant tells the story of her year wearing the crown while offering an incisive history and analysis of an always-controversial beauty contest.
Stage actor Shindle was a junior at Northwestern University when she won the Miss America title. From that moment forward, she would no longer simply be just another talented and beautiful collegiate. As Miss America, she would “always carry the mantle—and, as it turns out, the baggage that comes with it—of Miss America’s complicated history” and become something more than herself. Part memoir, part exposé, Shindle’s book interweaves her experiences with an examination of a nearly 100-year-old institution. She discusses her early involvement with the contest as a volunteer and the way becoming Miss America became her “ticket to acceptance” among peer groups that once ignored her. At the same time, Shindle delves into the history of the pageant, which first began in 1921 when Atlantic City businessmen used it as a sexy gimmick to bring in post–Labor Day business. From there, it evolved into a national icon that celebrated contestants for their wholesomeness and beauty rather than their aspirations and political outspokenness. Shindle documents the growing pains Miss America faced in the aftermath of the social upheavals of the 1960s and ’70s and the way organizers struggled, often without success, to align the event with changing perceptions of American womanhood and stay culturally relevant. She argues that these difficulties continue even into the present, despite an emphasis on contestant involvement in community projects. Citing “mismanagement on both the staff and board levels” as the root of pageant problems, Shindle concludes that if the Miss America “brand” is to survive, it will have to “[develop] a lasting identity and [reject] the many temptations that run counter to that identity.”
Though critical, this provocative book’s greatest strength is the author’s positive call to action to help Miss America “become something greater” than it is.Pub Date: Sept. 1, 2014
ISBN: 978-0-292-73921-5
Page Count: 232
Publisher: Univ. of Texas
Review Posted Online: June 16, 2014
Kirkus Reviews Issue: July 1, 2014
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PROFILES
by David Holloway ‧ RELEASE DATE: Sept. 21, 1994
A measured account of the development of the Soviet bomb program by Holloway (Political Science/Stanford, The Soviet Union and the Arms Race, 1983) that contrives to be both technically comprehensive and gripping. Using interviews with some of the main protagonists, such as Kapitsa and Sakharov (though before they were able to talk fully), and access to those archives that have become available in Russia, Holloway clarifies a number of issues. He confirms that the Soviets were heavily dependent on espionage to provide both a sense of the seriousness with which the British (and later the Americans) were pursuing nuclear weapons, and guidelines to their methods. Still, the success of the Soviet Union in constructing such a weapon, in almost the same amount of time as the US, was a ``remarkable feat,'' given the devastation of the Soviet economy after the war. The Communist command-administrative system, Holloway notes, ``showed itself able to mobilize resources on a massive scale, and to channel them into a top priority project.'' It was, however, at immense cost both in terms of the hundreds of thousands of prisoners toiling in the uranium mines and elsewhere, the appalling health and safety record, and the damage to the environment. The building of the hydrogen bomb, by contrast, was largely and no less remarkably an indigenous Soviet achievement. Little credit seems due to Stalin, who was responsible for shooting many of the top physicists during the purges and who understood the significance of nuclear weapons only after the explosion at Alamogordo. Nor does Holloway think much of Stalin's postwar policies, which succeeded in unifying the West and causing it to rearm, though he concludes that Stalin's refusal to be browbeaten made the US more cautious about asserting its nuclear monopoly. What could have been a dry technical and analytical study is enlivened by the immensity of the issues at stake and the extraordinary characters populating the story.
Pub Date: Sept. 21, 1994
ISBN: 0-300-06056-4
Page Count: 480
Publisher: Yale Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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by Tolbert McCarroll ‧ RELEASE DATE: Sept. 1, 1994
A poignant, heartfelt account of caring for children dying of AIDS. McCarroll, known as Brother Toby, initially retraces some of what he covered in Morning-Glory Babies (1988) about the formation of the Starcross Community, a lay Benedictine monastery in Sonoma, Calif. The community has been alternately tolerated and rejected by the Catholic hierarchy, which is apparently leery of its New Age influences. The celibates, both male and female, found their calling in adopting unwanted children, most of whom are HIV- positive. They soon attracted national attention for their efforts. Most of this slim volume is devoted to relating the stories of two particular children who challenged and changed Brother Toby's life in special ways. Tina, whom the author calls his ``daughter,'' was born and brought to the monastery when the monk was 57, having already raised and lost children of his own. Continually weakened by the virus and hospitalized with AIDS-related infections, Tina died three years later. Before she did, however, she grew into a willful, loving toddler who had her adopted father wrapped around her little finger. The other story is that of Brother Toby's goddaughter, Dana Rica. She was Romanian, and much of the book recounts the community's struggles with that country's bureaucracy on behalf of Dana Rica and other afflicted children. The girl's visit to Starcross was a high point for Brother Toby. His life, like the book, is filled with little miracles—a father singing to his daughter; watching a child play, dance, or laugh—and a quiet faith that death does not have the last word. Even with the grim subject matter and all the pain, this is a triumphant story that never degenerates into banality. It is the account of a group of people determined to make a difference—and of those who made a difference to them.
Pub Date: Sept. 1, 1994
ISBN: 0-312-11253-X
Page Count: 112
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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