The best thing about this rather insipid reworking of this ancient tale is its gorgeous jacket painting: full of lush detail in texture, fabric, flora, and fauna, with berries ripe enough to eat, a steaming pot, and upholstery lovingly rendered. Surprisingly, the illustrations within are wan and lacking in energy or depth. In her debut, Summers reprises the familiar tale: Country mouse Tilly lives in the roots of an old tree, domestic as all get out as she sweeps and sews and puts food by for the winter. Her friend Milly visits from town, but misses cheese and cannot sleep for the quiet. Milly returns the hospitality; Tilly is enchanted by the dollhouse in which Milly lives in the city, but dislikes the house cat. A much livelier rendering of this story can be found in Jan Brett's Town Mouse, Country Mouse (1994). (Picture book/folklore. 3-6)
Pub Date: July 1, 1997
ISBN: 0-525-45801-8
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1997
BOOK REVIEW
Slight, though silly and amusing.
Barnacle longs for a change in routine.
A lone, pale barnacle hangs over the blue water, affixed by its hatlike shell to the bottom of a wooden pier. Here it seems to the barnacle that every day is just about the same: “The tide comes IN. // I am WET and COLD. / The tide goes OUT. // I am DRY and HOT.” The crustacean watches the world go by, or at least as much of it as is visible from one fixed vantage point. Four appendages wave expressively below an exaggeratedly cartoonish face. Its expression is scowling and grumpy: “I am BORED.” When a yellow, polka-dot fish swims by, Barnacle is struck by a thought: “I bet his days are so FUN.” Perceptive readers may notice that from this point Barnacle is actually not entirely bored, as the many delights available to this brightly colored fish play out—at least in Barnacle’s imagination. Barnacle pictures the sunny, big-eyed fish happily engaged in entertaining, alliterative activities in the pale blue sea: “I bet he DIVES with dolphins. / I bet he SOARS with sailfish.” But a reversal in fortune demonstrates that excitement and boredom are all in how a situation is perceived (and also that, as in most of nature, eating or being eaten is the rule). Fenske’s open, flat-colored, loose-lined, animated cartoon style and simple dialogue-bubble text in a large, bold font are inviting for new readers.
Slight, though silly and amusing. (Picture book. 3-6)Pub Date: May 10, 2016
ISBN: 978-0-545-86504-3
Page Count: 40
Publisher: Scholastic
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A more perfect union between giggle-inducing but reassuring images and a text of very few words is hard to conjure. The brilliant pastels open on a double-page spread of Goose trotting down a huge hairy mound, which turns out to be Bear, lying on his stomach with a book. “What are you doing? Are you reading?” asks Goose, perched on Bear’s head. “I like to read” says Goose, sitting directly in front of Bear’s book, and reading to him. Bear takes out his notebook and starts to write, and Goose wants Bear to see him write. Bear, visibly growing increasingly exasperated, is thinking now, and Goose notes that thinking makes him hungry and goes off to make a snack. He returns with a snack, a blanket and a note for Bear, who at this point is trying to hide behind his notebook. “You are my splendid friend,” reads Goose’s note, and Bear wipes away a tear and wraps Goose in a huge hug before the two sit down to share the snack. Bear’s ursine fuzziness against a background of deep blues and Goose’s small awkward, overeager self make an adorable contrast. (Picture book. 3-6)
Pub Date: March 1, 2005
ISBN: 1-59078-286-0
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2005
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