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THIS IS NOT A DEAD GIRL STORY

A clever, dogged, and well-executed mystery that examines critical issues.

A potentially deadly disappearance shortly after a mysterious death leaves the sole remaining member of a trio of friends desperate to uncover the truth.

Sixteen-year-old Juliette Green and her 17-year-old cousin, Remy, have grown up together in Black Falls, New York, alongside River O’Dell, Remy’s magnetic boyfriend—and Jules’ best friend and secret crush. River’s sudden death completely devastates the girls, even before it’s ruled a suicide, and Jules’ grief turns to shock and terror when Remy disappears one week later, leaving behind her phone without its SIM card. Edgy, mischievous Remy can’t be dead—Jules just knows it—and she pulls Sam, River’s cousin, into her quest when their paths keep crossing and he seems to know things. Perceptive, observant Jules forges ahead despite discovering unsavory information about threatening people in her and Remy’s lives; the weight of all the secrets becomes suffocating even as Sam becomes indispensable and irresistible. When the teens are unable to count on the expected adults for help, they take matters into their own hands. This twisting narrative, which asks complex questions about power and autonomy, will keep even seasoned genre fans guessing while trusting them enough to avoid simplistic answers. Well-crafted suspense, emotionally compelling characters, and wild revelations will propel readers through some lulls in the action to an eminently realistic if slightly frustrating resolution. Main characters are cued white.

A clever, dogged, and well-executed mystery that examines critical issues. (content warning, resources) (Mystery. 14-18)

Pub Date: Aug. 6, 2024

ISBN: 9780593623831

Page Count: 320

Publisher: Viking

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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  • Kirkus Reviews'
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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