This is more than just a book about making and engineering: Make an excellent choice to add this to the shelves.
Follow along as a child makes a spaceship, a friend, and a difference in her community.
“Ask yourself this question in the morning when you wake: / in a world of possibilities, today, what will you make?” Upon waking up, a young girl uses her imagination and things she has at home to make a tower, a drum set, and a spaceship. When she ventures outside, she makes a new friend. Working together, they make a lemonade stand and then make a donation to the local park. Finally, they make a choice to help more in order to make a difference in their community. Howes speaks to readers in rhyming verse about the many things they can make, intentionally repeating the verb throughout. Including themes of creativity, imagination, music, engineering, relationships, economics, and community service, she creates a powerful message about making choices to be proud of. Vukovic uses mixed media, including watercolors and crayon, to create lively, striking illustrations. The pictures capture a child’s imagination and how ordinary things can be made into something extraordinary. Together the text and the illustrations create an excellent read that will empower readers to reflect on their own lives and make a change or two or three. The unnamed protagonist has brown skin and long, dark braids; her friend presents white.
This is more than just a book about making and engineering: Make an excellent choice to add this to the shelves. (Picture book. 4-8)Pub Date: March 5, 2019
ISBN: 978-1-5124-9802-8
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Dec. 15, 2018
Kirkus Reviews Issue: Jan. 15, 2019
A sweet, soft conversation starter and a charming gift.
A paean to teachers and their surrogates everywhere.
This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.
A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)Pub Date: March 1, 2017
ISBN: 978-1-943200-08-5
Page Count: 32
Publisher: Compendium
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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