An immensely fun sequel.
America’s new queen has a royal wedding to plan in the follow-up to 2019’s American Royals.
Imagine that George Washington was crowned America’s first king instead of president, and you’ve got the intriguing premise of McGee’s addictive series. In the wake of the sudden death of King George IV, his oldest daughter and heir to the throne, Beatrice, must put her grief aside and throw herself into her new responsibilities as queen. But first, she must get married. Even in a contemporary America, the very idea of a single woman taking the throne is controversial. She’s engaged to the perfectly nice son of the Duke of Boston, Theodore “Teddy” Eaton, but her heart lies with a commoner, and Beatrice is torn between love and duty. Meanwhile, her younger, hard-partying sister, Samantha, is consumed by her own romantic foibles, as is her best (and nonroyal) friend, Nina, who briefly dated Samantha’s twin brother, Jefferson. Then there’s relentless social climber Daphne, Jeff’s ex, who plans to win him back at any cost—along with the status that comes with him. McGee skillfully juggles each woman’s narrative, framing their struggles with plenty of pomp and circumstance and the challenges of living very public lives. Add in a dramatic finale that packs in all the feels, and you’ve got a royal winner. Most characters are white, but Nina is Latinx, and there is diversity in the supporting cast.
An immensely fun sequel. (Fiction. 14-19)Pub Date: Sept. 1, 2020
ISBN: 978-1-984830-21-0
Page Count: 384
Publisher: Random House
Review Posted Online: June 14, 2020
Kirkus Reviews Issue: July 1, 2020
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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