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ANNA AND THE APOCALYPSE

Another clichéd zombie apocalypse with too many characters and no new shine.

A girl eager to escape her quiet Scottish village must first face a burgeoning zombie apocalypse in this novel based on the musical film of the same name.

Anna Shepherd is in her final year of secondary school in the Scottish town of Little Haven. Despite her father’s disapproval, she plans to travel the world before entering university. The night of the annual school Christmas show, something happens that upends her plans: a zombie outbreak. She and her best friend, John, come upon a zombie dressed as a snowman and then run into their friend’s disco-obsessed–turned-undead stepbrother. After seeking shelter at Thunderballs, the bowling alley where they both work, they’re swarmed by an undead bachelor party. Anna and her friends must fight for survival as they wait for outside help that may never arrive. Her father is trapped at school with the now power-mad assistant principal, Mr. Savage, and she and John battle their way to him through a village run amok with zombies—many dressed as Christmas elves. The third-person omniscient point of view allows insight into the many characters’ heads, but it doesn’t make them dynamic enough to warrant the fear for their safety necessary to propel the plot. Instead a rote zombie thriller unfolds, replete with grim, random deaths and sprinkles of stilted humor. All characters appear to be white, and one character is lesbian.

Another clichéd zombie apocalypse with too many characters and no new shine. (Horror. 14-18)

Pub Date: Oct. 23, 2018

ISBN: 978-1-250-31880-0

Page Count: 271

Publisher: Imprint

Review Posted Online: Nov. 24, 2018

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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