A surprisingly successful merger of history and fantasy.
Set on and off the battlefields of Belgium in the final year of World War I, this novel adds a supernatural touch to its vividly realized historical details.
Arden moves on from her fantasies set in medieval Russia—The Bear and the Nightingale (2017) is the first in the trilogy—to a more realistic and often grueling depiction of the horrors of war. In January 1918, 24-year-old combat nurse Laura Iven has been sent home from Flanders to Halifax, Nova Scotia, after receiving serious wounds. When she’s notified that her younger brother, Freddie, who’s serving in Belgium, is missing and presumed dead, she becomes convinced he’s still alive and heads off to search for him. In an alternating timeline that begins several months earlier on the front lines, Freddie finds himself buried underground in a concrete German pillbox, his only companion the wounded German soldier Hans Winter. The two form a strong bond and eventually dig their way out, only to be confronted by more mud, blood, and death. Freddie, ashamed of his feelings for Winter and what he sees as his betrayal of his country, takes what seems like refuge with the mysterious fiddler Faland, who shows the guests at his glimmering hotel a mirror that reveals their hearts’ desires and then steals their memories to make his music. As the novel proceeds, the two storylines merge, with Laura attempting to save Freddie before it’s too late. Arden titles her chapters with quotations from Paradise Lost and the biblical Book of Revelation, and appropriately so: The landscape, both physical and spiritual, that the characters navigate is hellish, and for better or worse, their old world is being transformed into a new one. Unabashedly grim though laced with faint hints of hope, the novel immerses the reader in a war often overshadowed by the one that would follow a couple of decades later.
A surprisingly successful merger of history and fantasy.Pub Date: Feb. 13, 2024
ISBN: 9780593128251
Page Count: 336
Publisher: Del Rey
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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