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TOAD

A gentle, funny, heartbreaking indictment of the naïve excesses of the 1960s and the testament of a woman who survived them.

A posthumously published novel from the author of Geek Love (1989).

Dunn’s magnum opus—the tale of a family of carnival freaks—is a true cult classic, but the year it was published, it was also a finalist for the thoroughly mainstream National Book Award. Geek Love has never been out of print, and it continues to be a solid backlist performer. Few authors with one bestseller get an obituary in the New York Times, but Dunn achieved that distinction in 2016. She’s an author who wrote a book about outsiders who has been embraced by insiders. This newly published novel suggests that this counterculture hero had a complicated relationship with the counterculture of her youth. The narrator is Sally Gunnar, a woman who has chosen to live alone except for the goldfish she keeps in a jar on her kitchen table, the toad that lives in her yard, and the handful of visitors she invites into her house. When her sister-in-law asks, “Remember Sam and Carlotta? Whatever became of them?” Sally drifts back to Portland in the 1960s. A student at a small liberal arts school—Dunn attended Reed—Sam is, in Sally’s words, a “spunky little character with an intellectual air.” He’s also a jackass. In his desire to outgrow his middle-class New York upbringing, Sam tries on a variety of names and ethnicities. He falls in love with Carlotta, an ethereal hippy who seems to find him as profound as he finds himself. Together with a narcissistic psychology student named Rennel, these misfits form something close to a family. Sally is part of this unit—she even starts taking classes at their fancy college—but she never loses an outsider’s perspective. She recognizes that her friends are ridiculous, and she loves them anyway. As the narrative moves back and forth in time, it takes a dark turn. Sam and Carlotta’s belief that they are equipped to live off the land leads to tragedy. Sally’s self-deprecation—which at first seems like her viewing herself with the same irony with which she regards her friends—turns out to be a mask for clinical depression. But Sally endures to find a fragile peace, carefully tended day by day.

A gentle, funny, heartbreaking indictment of the naïve excesses of the 1960s and the testament of a woman who survived them.

Pub Date: Nov. 1, 2022

ISBN: 978-0-374-60232-1

Page Count: 352

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Aug. 16, 2022

Kirkus Reviews Issue: Sept. 1, 2022

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  • New York Times Bestseller

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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